Anderson's new novel is The Never-Open Desert Diner.
Recently I asked the author about what he was reading. His reply:
I am constantly reading and my choices are varied, not only authors, but fiction and nonfiction, poetry, sciences. Recently I was pleased to read that Andre Dubus, a truly fine writer, begins his writing sessions by reading poetry. The depth of an image and a truly original metaphor, along with syntactical invention and attention to rhythm (musicality) of language is something I appreciate and informs my prose.Visit James Anderson's website.
Recently I read Tijuana Book of the Dead, poems by Luis Alberto Urrea, who is a triple threat in that he writes fiction, nonfiction and poetry equally well. In this new collection of poems the conversational can suddenly bloom into a lyrical rose where even plain language, everyday speech, is marshaled into service of a metaphor. Urrea leads the reader into dangerous human territory with humor and compassion.
Georgia, the new novel by Dawn Tripp, is a tour de force, at once ambitious stylistically and in terms of scope. The novel is a fictional autobiography of Georgia O’Keeffe that recounts in historically accurate narrative, O’Keeffe’s life. To compose a stirring internal narrative by one of the great artists of the 20th Century had to be daunting, and yet Tripp’s novel is daring and reads like narrative poetry that drives the reader forward in the story.
Other recent read includes Descent, a novel by Tim Johnston. This is a mystery/thriller that is brilliantly and thoughtfully written.
I do not put much stock in labels or genres. Damn fine writing cuts across genres. Descent does that. So does the debut novel by Idra Novey, Ways to Disappear, which often induces laughter and thought-provoking adventure in the same sentence.
My Book, The Movie: The Never-Open Desert Diner.