Wednesday, May 24, 2017

Ryan Lobo

Ryan Lobo is an award-winning photographer and filmmaker based in Bangalore.

His work has appeared in National Geographic, The Wall Street Journal, The Guardian, The Boston Review, The Caravan, and Bidoun Magazine.

Lobo's new novel is Mr. Iyer Goes to War.

Recently I asked the author about what he was reading. His reply:
I am currently reading several books both fiction and non-fiction.

I also just finished reading The Poetry of Derek Walcott, much of it at 2:30 AM while feeding my one month old daughter. Such powerful writing. A line struck me '..and the doors themselves, usually no wider than coffins'. I recalled a friend telling me the story of a maid who had criticized an apartment building because its stairwell was not large enough for a coffin and it struck me that the architect had forgotten about the possibility of death for the residents when building that building. Such optimism!

I am currently in the middle of the book Voltaire's Bastards by John Ralston Saul. He writes that age of reason ended the powers of kings and courts also aimed to create a more just civilization. However, Saul postulates that the symbiosis between reason and morality has been destroyed and leaders today, bereft of an ethical framework, have turned the age of reason into something that it's founders might abhor. He explores the schism between democratic principles and modern governments. The going is pretty slow on this book as i find I have to re read portions to really understand what is going on but a lot of it seems to have deep relevance to what is happening in the world today.

I just re read A Confederacy of Dunces a book I enjoyed immensely. I found myself laughing out loud throughout the book, even waking up the baby on one occasion. After reading it I even tried reading Ignatius's favorite book, Boethius's The Consolation of Philosophy but gave up after the first few paragraphs as it is written in old English. Here's an excerpt 'And all naturall things reioyseth at theyr returne to their owne nature. And nothynge hath any other prescribed order, but that onely that hath ioyned the begynnyng to the ende..' Needless to say but my head spun, unlike Ignatius J. Reilly's.

I also recently finished Paul Beatty's The Sellout. I met him and his lovely partner Althea at a literary festival and had a most interesting conversation with him about films like How to Train your Dragon and Jurassic Park and what they might reveal about America. I bought his book shortly thereafter and found it terrifyingly funny and sad.

Finally, on a stranger note, I just read The Snail and the Whale by Julia Donaldson and Revolting Rhymes by Roald Dahl as inspiration for writing stories for my daughter for when she grows up a bit.
Visit Ryan Lobo's website.

My Book, The Movie: Mr. Iyer Goes to War.

--Marshal Zeringue

Monday, May 22, 2017

Helene Stapinski

Helene Stapinski began her career at her hometown newspaper, The Jersey Journal. She is the author of the memoirs Five-Finger Discount: A Crooked Family History and Baby Plays Around: A Love Affair, with Music. Her essays have appeared in several anthologies, most recently, Drinking Diaries: Women Serve Their Stories Straight Up. Stapinski has also written extensively for The New York Times, for Travel & Leisure, Food & Wine, Salon, Real Simple, New York magazine and dozens of other newspapers, magazines and blogs. She’s been featured on NPR’s All Things Considered, The Today Show and as a performer with The Moth main stage.

Stapinski's new book is Murder In Matera: A True Story of Passion, Family, and Forgiveness in Southern Italy.

Recently I asked the author about what she was reading. Her reply:
I'm about a quarter of the way through The Sellout by Paul Beatty, a social satire about an African American man's unorthodox upbringing and his appeal before the Supreme Court after his attempt to reintroduce slavery to a Los Angeles neighborhood.

The book is simultaneously incredibly sad and laugh out loud funny, no easy feat. I have a problem with self-serious, pretentious writers who are afraid -- or maybe are just incapable -- of making people laugh. You can tell a moving story and still manage to entertain your reader. Beatty, so far, has managed to tell a painful, contemporary tale, while using wicked, biting humor. His social commentary and riffs come so fast and furiously that I can only read a chapter at a time. It makes my head spin. But in a good way. My first book was described as "heartbreaking and hilarious," which is what I'm usually going for in my own writing. So I'm loving The Sellout.
Visit Helene Stapinski's website.

--Marshal Zeringue

Sunday, May 21, 2017

Jason M. Hough

Jason M. Hough is the New York Times bestselling author of The Dire Earth Cycle and the near-future spy thriller Zero World, which Publishers Weekly said is "a thrilling action rampage that confirms Hough as an important new voice in genre fiction.”

Recently I asked the author about what he was reading. Hough's reply:
As usual I'm devouring two books at once, because I'll do one in print when I have genuine reading time and the other as an audiobook when I'm driving or doing chores.

Right now in print I'm reading an advance copy of Scott Reintgen's Nyxia, which is a wonderful YA sci-fi novel about a planet with a unique and powerful element that the locals will only allow children to mine. It's extremely good and sports a great cast of characters.

On audio I'm listening to A Divided Spy by Charles Cumming, which is the 3rd book in his Thomas Kell spy series.I really enjoy these novels, which are much more calculating and cerebral than, say, a Jason Bourne thriller. Lots of great tradecraft and an extremely engrossing main character.
Visit Jason M. Hough's website.

--Marshal Zeringue

Friday, May 19, 2017

Lucinda Riley

Lucinda Riley is the New York Times bestselling author of The Orchid House, The Girl on the Cliff, The Lavender Garden, The Midnight Rose, and The Seven Sisters. Her books have sold more than five million copies in thirty languages She lives in London and the English countryside with her husband and four children.

Riley's latest book to appear in the US is The Shadow Sister, the third installment in the seven book series, The Seven Sisters.

Recently I asked the author about what she was reading. Her reply:
I’m currently tackling the beast that is James Joyce’s Ulysses, as I promised a friend I would attempt it again for the third time to try and make sense out of the book! Having just moved back home to Ireland, it's a fitting time. I’m always fascinated by the background story of the author when he/she was writing a novel and I was told that Joyce was taking medicine prescribed by his doctor while working on Ulysses, which may have contained hallucinatory properties. This has made me see the novel in a different light. Perhaps I’ll be brave enough to take on Finnegan’s Wake next … or maybe I’ll pick up something ‘lighter’, like one of my beloved Inspector Linley novels, by Elizabeth George.

Aside from reading about Leopold Bloom’s journey through Dublin, I’ve been immersed in research for my next book, The Moon Sister, the fifth in the Seven Sisters series, which is focused on the character Tiggy. Paco Sevilla’s biography of the dancer Carmen Amaya, Queen of the Gypsies, has given me fascinating insight into the passion and art of flamenco, and when I was doing research in Granada, Spain I saw the breathtaking dances for myself. I will be tapping my feet to the rhythm of flamenco as I write The Moon Sister.
Visit Lucinda Riley's website.

The Page 69 Test: The Storm Sister.

My Book, The Movie: The Storm Sister.

My Book, The Movie: The Shadow Sister.

--Marshal Zeringue

Wednesday, May 17, 2017

Wayne Franklin

Wayne Franklin is professor of English at the University of Connecticut, Storrs. His biography James Fenimore Cooper: The Early Years was selected as an Outstanding Academic Title in 2008 by the AAUP and Choice magazine.

Recently I asked the author about what he was reading. His reply:
Recently, I read J. D. Vance’s Hillbilly Elegy because I’m always looking for books that open up seemingly neglected areas of American experience, especially if they have a strong spatial component. One of my favorite books of all time, All God’s Dangers, Theodore Rosengarten’s 1974 account of the life of black Alabama sharecropper and labor activist Ned Cobb, shows considerably more power than Vance’s more modest book can muster. But Vance does tell, from personal experience, the tale of twentieth-century Scots-Irish migration from rural Tennessee to industrial Ohio, capturing the sense of social and spatial dislocation that his title is meant to suggest.

After Hillbilly Elegy, I turned to Michael Finkel’s The Stranger in the Woods, the not-quite-as-told-to story of Maine loner Christopher Knight, who spent twenty-seven years living in a secret place amid a maze of huge rocks near vacation cabins and camps that he systematically rifled for food, clothing, fuel, gear (and books) to sustain himself. His story inevitably recalls Jon Krakauer’s 1996 title, Into the Wild, about Christopher McCandless’s briefer, more tragic withdrawal into the Alaskan wilderness.

Also recently, I re-read Annie Dillard’s Pilgrim at Tinker Creek and, for the first time, her An American Childhood, published in 1987. The first book, which won the Pulitzer Prize in 1974, the year before All God’s Dangers won the National Book Award, is by now a classic of modern environmental prose, notable for its spiritual depth and, again, its avid pursuit of the lessons that loneliness can teach. An American Childhood is a much chattier, more worldly memoir of Dillard’s life (as a privileged young woman named Meta Ann Doak) in the Shadyside/Point Breeze neighborhoods of Pittsburgh from the 1940s to the 1960s. Since I spent five year in those same neighborhoods just about the time Dillard went off to college in Roanoke, near which Tinker Creek runs its course, American Childhood offered me not only some insight into how Meta Doak became Annie Dillard but also into a city I, too, recall with great fondness. I agree with the profound point she makes about space in the opening paragraph in that second book: “When everything else has gone from my brain—the President’s name, the state capitals, the neighborhoods where I lived, and then my own name and what it was on earth I sought, and then at length the faces of my friends, and finally the faces of my family—when all this has dissolved, what will be left, I believe, is topology: the dreaming memory of land as it lay this way and that.” As to me, I recall from Pittsburgh the fact that my neighborhood was quite literally Mr. Rogers’ neighborhood, too, since he lived a half mile or so from me. (Dillard had left Pittsburgh before his first show aired there, so she not surprisingly does not speak of him.) I also recall that Fred Rogers, despite his cheery public face, had a security system warning sign out front of the big brick house. But that’s another story.
Learn more about James Fenimore Cooper: The Later Years at the Yale University Press website.

--Marshal Zeringue

Monday, May 15, 2017

William Christie

William Christie is a graduate of the University of Pennsylvania and a former Marine Corps infantry officer. He is well into middle age, and is the author of eight novels, five under his own name and the latest two under the pen name F.J. Chase, which was basically a publisher’s marketing ploy. He also wrote SEAL Team Seven: Direct Action, for Berkley Books, under the name Keith Douglass, because he needed a new car at the time.

Christie's new novel is A Single Spy.

Recently I asked the author about what he was reading. His reply:
This is hard, because when I'm writing a novel I try not to read fiction. Or at least the genre I'm writing in. Because when I'm impressed I sometimes find myself writing in that writer's voice. And when I look at the day's work I find myself saying: what the hell? But in writing a historical novel I kept coming back to Hilary Mantel's Wolf Hall and Bring Up The Bodies. Not just that it is brilliant writing and brilliant use of history. But because she took as her hero Thomas Cromwell, one of history's great villains. Henry VIII's consigliere and brutal fixer. Showing us that with enough skill any character can claim us, if shown according to their own time and their own lights. Hilary Mantel and her novels have nothing to do with my character Alexsi in A Single Spy, but she showed me what was possible.
Visit William Christie's website.

My Book, The Movie: A Single Spy.

--Marshal Zeringue

Saturday, May 13, 2017

Sam Wiebe

Sam Wiebe's novel Last of the Independents won the Kobo Emerging Writer Prize and an Arthur Ellis Award, and was nominated for a Shamus award. His second novel, Invisible Dead, was published by Random House Canada and Quercus USA. His short stories have appeared in Thuglit, Spinetingler, and subTerrain, and he was the 2016 Vancouver Public Library Writer in Residence. He lives in Vancouver.

Recently I asked Wiebe about what he was reading. His reply:
My local bookstore owner recommended Son of a Trickster by Eden Robinson practically at gunpoint, calling it “an aboriginal Twin Peaks.” It’s about Jared, a teenaged indigenous kid trying to negotiate his hellishly dysfunctional family. Robinson is from the Haisla First Nation, and her writing ranges from my hometown of Vancouver to the small towns of northern British Columbia. She writes characters who understand poverty and desperation, but her books also feature moments of humour and genuine kindness. As the title suggests, there are elements of the mythical and supernatural, but like Stephen King’s best work, Son of a Trickster is grounded in strong characters with real-life problems.

Ghettoside by Jill Leovy is a non-fiction account of LAPD homicide detective John Skaggs’s investigation into the murder of Bryant Tennelle, a black teenager in South Central who also happened to be the son of another detective. The book reads like a California version of The Wire—dedicated cops trying to do their job despite the realities of racial injustice, limited resources, and a culture dismissive of black-on-black murders. Leovy’s account is fascinating true crime, but also full of sociological insights into police culture, race, and the legal system.
Visit Sam Wiebe's website.

--Marshal Zeringue

Thursday, May 11, 2017

Bryn Chancellor

Bryn Chancellor’s debut novel, Sycamore, is now out from Harper. Her story collection When Are You Coming Home? won the 2014 Prairie Schooner Book Prize, and her short fiction has appeared in Gulf Coast, Blackbird, Colorado Review, Crazyhorse, Phoebe, and elsewhere. Other honors include the Poets & Writers Maureen Egen Writers Exchange Award in fiction, and literary fellowships from the Alabama State Council on the Arts and the Arizona Commission on the Arts. She earned her M.F.A. in fiction from Vanderbilt University and is an assistant professor at the University of North Carolina at Charlotte. A native of California raised in Arizona, she is married to artist Timothy Winkler.

Recently I asked Chancellor about what she was reading. Her reply:
During the semesters, it’s hard for me to do as much reading as I’d like except for what I’m teaching. I keep teetering stacks at my bedside to catch snatches when I can, and I have managed to read a few lately with more queued up for summer.

I just finished two shortish works: Exit West by Mohsin Hamid, a beautiful, eerily magical novel about refugees and loss but also very much about the passage of love over time with a slow-building power and resonance that hits hard at the end; and Chimamanda Ngozi Adichie’s extended letter Dear Ijeawele, Or A Feminist Manifesto In Fifteen Suggestions, which I wish could be required reading for the whole world.

I am currently reading Ottessa Moshfegh’s Homesick for Another World, a collection of stories so brilliant and unexpected that I find myself lying flat-backed and jaw-dropped after I finish each one. I also just started Viet Thanh Nguyen’s The Refugees; I’m mesmerized and haunted by these stories thus far, especially the opener, “Black-Eyed Woman."

Next up are Helen Oyeyemi’s What Is Not Yours Is Not Yours, which I picked up because I loved her dreamy, powerful reimagined fairy tale Boy, Snow, Bird; Kevin Wilson’s Perfect Little World, because Kevin’s voice and wild imagination and heart in his previous books always rock my world; Derek Palacio’s The Mortifications, because I heard Derek read an excerpt of it a couple summers back and still can’t get it out of my head; and finally, a bit of nonfiction with Lauren Elkin’s Flâneuse: Women Walk the City, a subject in which I am deeply interested. I teach a workshop in which we study writers who walk and then complete our own walks/writing, so I’m delighted to delve into this gender-specific take.
Visit Bryn Chancellor's website.

--Marshal Zeringue

Wednesday, May 10, 2017

Avery Duff

Avery Duff was born in Chattanooga, Tennessee, where he attended Baylor School and graduated summa cum laude. After graduating Phi Beta Kappa from the University of North Carolina at Chapel Hill, he earned a JD from Georgetown University Law Center. He then joined a prestigious Tennessee law firm, becoming a partner in five years, before moving to Los Angeles. His screenwriting credits include the 2010 heist drama Takers, starring Matt Dillon, Idris Elba, Paul Walker, and Hayden Christensen.

Duff's first published novel is Beach Lawyer.

Recently I asked the author about what he was reading. His reply:
I’m reading two books at the moment, each for different reasons.

Pagan Babies by Elmore Leonard goes first because that’s where he belongs in my pantheon of writers, even though he wrote crime, as he put it, not mystery/thrillers. I’m studying this book—set in Rwanda among the Hutu murdering their Tutsi countrymen—not just re-reading it, trying to figure out how Mr. Leonard exposits this genocide in small, graphic bites without lecturing the reader–look, here’s my Rwanda research—as he introduces U.S. expat, Father Terry Dunn.

Terry’s hearing confessions from, among others, a Hutu, Bernard, the Hutu bragging about how he’d murdered Tutsis in Terry’s own church, Bernard having graphic visions about murdering Tutsis again and taunting Terry about the confidential nature of what he’s just revealed to Terry in confession.

As Bernard’s leaving the make-shift, thatched confessional, Terry calls out to him: “Hey, Bernard…I have visions, too.” (Even Mr. Leonard’s priests are cooool.)

I’m beginning to see that I learned about this genocide from inside (the characters) out. Beginning to see, too, that Mr. Leonard wasn’t in a hurry. As the story goes on, he slips in more exposition and reader knowledge grows. In my limited experience, that’s really hard to pull off and is something to shoot for in my future.

For entertainment, I’m about one-third of the way into The Dry by Jane Harper, her first novel, a fact that impresses and annoys me in unequal measure. The opening of this one is told from the POV of blowflies, the first to arrive at this small-town Australian murder scene. Never saw anything like it before, and the scene is filled with important information. I knew from page one I was in good hands—just took a minute to reread it and it’s better than I remembered. Again—unequal measures of impressed and annoyed.

Way to go, Ms. Harper!
Learn more about Beach Lawyer.

My Book, The Movie: Beach Lawyer.

--Marshal Zeringue

Tuesday, May 9, 2017

Marta Perry

Marta Perry realized she wanted to be a writer at age eight, when she read her first Nancy Drew novel. A lifetime spent in rural Pennsylvania and her own Pennsylvania Dutch roots led Perry to the books she writes now about the Amish.

Her new novel is Echo of Danger.

Recently I asked the author about what she was reading. Perry's reply:
I tend to binge-read, like binge-watching, only with books. I recently found a treasure trove of mostly forgotten Golden Age British mystery authors on Amazon, and I've been working my way through them. This has been an unexpected benefit of switching to a Kindle for my recreational reading. I initially started using it simply because it was easier to read after spending a day at the computer on my own current manuscript. But then I discovered the array of books that were no longer or had never been out in mass market, but were only a click away with an e-reader.

First I read my way through a batch of Patricia Wentworth books that had preceded her popular Miss Silver mysteries. Now I've started on the Molly Thynne books. An actual member of the British aristocracy, Mary "Molly" Thynne wrote about the world she knew—an England between the wars. Independently wealthy, she wrote only six novels, and I'm already dreading coming to the end of them. They are intricately plotted, something that I know to my cost to be difficult at best, and they also show a very sympathetic and understanding eye for characters in trouble.

The current book is The Case of Sir Adam Braid, originally published in 1930, and Ms. Thynne used the now-familiar device of a victim who was disliked by so many people that Chief-Inspector Fenn has his hands full trying to sort them out, especially since the chief suspect is a young woman he cares for. Just the sort of book to inspire my own romantic suspense writing!
Visit Marta Perry's website.

--Marshal Zeringue