Wednesday, January 28, 2015

Don H. Doyle

Don H. Doyle is the McCausland Professor of History at the University of South Carolina. The author of several books, including Faulkner's County and Nations Divided, he lives in Columbia, South Carolina.

His latest book is The Cause of All Nations: An International History of the American Civil War.

Recently I asked the author about what he was reading. Doyle's reply:
After working intensively on the Civil War and its international dimensions, one might guess I had enough, but I find myself immersed in some big new books that bear on the subject.

Sven Beckert’s Empire of Cotton: A Global History is a book we have all been waiting for. This is a sweeping history of cotton as a commodity and how it helped give birth to modern capitalism, Beckert’s book is a bracing antidote to the glib celebrations of “creative destruction” we hear so much of these days. I like it also because he reclaims economic history, which is much too important to be left to economists.

Edward Baptist, The Half Has Never Been Told: Slavery and the Making of American Capitalism, is another gloomy exploration of the entangled histories of capitalism and slavery. It leaves any claims for the benign paternalistic nature of American slavery pretty much in shreds, but it is also an indictment of capitalism, which many people are accustomed to seeing as the opposite of slavery—free labor, free men.

Research for my book plunged me into a lot of French history and left me enthralled by Paris. My Parisian friend, who teaches history at the Sorbonne, introduced me to his parents who were teenagers in Paris when the American GI’s liberated the city, and I wanted to learn more about that remarkable moment. Ronald Rosbottom, When Paris Went Dark: The City of Light Under German Occupation, 1940-1944, is a fascinating and very French story of how Parisians endured, accommodated, collaborated, and resisted the Nazi occupation. “Practice elegant indifference,” one French pamphlet advised. “Light their cigarettes for them but do not volunteer directions.”
Visit The Cause of All Nations Facebook page, and learn more about the book at the publisher's website.

The Page 99 Test: The Cause of All Nations.

--Marshal Zeringue

Tuesday, January 27, 2015

William C. Dietz

New York Times bestselling author William C. Dietz has published more than forty novels some of which have been translated into German, French, Russian, Korean and Japanese. He also wrote the script for the Legion of the Damned game (i-Phone, i-Touch, & i-Pad) based on his book of the same name--and co-wrote SONY's Resistance: Burning Skies game for the PS Vita.

His new book is The Mutant Files; Deadeye.

Recently I asked the author about what he was reading. Dietz's reply:
I have a strong interest in military history—and write military science fiction novels. That, plus the fact that I know one of the editors, is why I chose to read The Battle of Mogadishu, which was edited by Matt Eversmann and Dan Schilling.

The book is about the battle made famous in the film Blackhawk Down. The movie, which was released in 2001, was based on the true story of what occurred in the city of Mogadishu, Somalia on October 3, 1993. A U.S. Army force consisting of U.S. Army Rangers, members of Delta Force, Navy SEALS, and Air Force personnel tried to capture two of Mohamed Farrah Aidid's high-ranking lieutenants.

Shortly after the assault began, Somali militia and armed civilian fighters shot down two UH-60 Black Hawk helicopters. The subsequent operation to secure and recover the crews of both helicopters turned a raid that was supposed to last for no more than an hour into a bloody standoff that lasted all night. As a result 18 Americans were killed and 80 wounded.

In spite of the fact that I generally like war movies, and watch most of them when they come out, I didn’t go to see Blackhawk Down for the same reason I haven’t been to Vietnam War Memorial in Washington D.C. I wasn’t sure I could handle it.

So it was with a considerable sense of misgiving that I read The Battle of Mogadishu. The book consists of six firsthand accounts of what happened all told by men who were there and played various roles in what turned out to be a botched raid.

Now, with 20/20 hindsight, it’s easy to see that the planning effort was tragically flawed. The officers in charge should have sent tanks into the city, the men should have carried night vision gear just in case, and they should have entered Mogadishu with a more realistic understanding of Somali capabilities.

But in spite of the sadness attendant to the battle what I came away with was a deep and abiding respect for the intelligence and valor with which servicemen from all of the various branches conducted themselves. I strongly recommend this book to anyone who is interested in history, the military, or the profound sacrifices that have been made on behalf of our country.
Visit William C. Dietz's website, Facebook page, and Twitter perch.

The Page 69 Test: Andromeda's Fall.

My Book, The Movie: Andromeda's Fall.

The Page 69 Test: Andromeda's Choice.

The Page 69 Test: Deadeye.

--Marshal Zeringue

Monday, January 26, 2015

Alyssa Brugman

Alyssa Brugman was born in Rathmines, Lake Macquarie, Australia in May 1974. She attended five public schools before completing a Marketing Degree at the University of Newcastle. In 2014 she was awarded a PhD in Communication from Canberra University.

Brugman has worked as an after-school tutor for Aboriginal children. She taught management, accounting and marketing at a business college, worked for a home improvements company and then worked in Public Relations before becoming a full-time writer. She currently runs a small business providing hoofcare, equine rehabilitation and producing nutritional supplements for horses.

Brugman's new novel is Alex as Well.

Recently I asked the author about what she was reading. Her reply:
I have a few books on the go at the moment.

The Last Resort by Douglas Rogers is a memoir about a family who own a backpacker lodge in Zimbabwe during the time Robert Mugabe was reclaiming white farms. Books about Africa generally have the drama of landscape, as do books set in Outback Australia, or Newfoundland, or Alaska, or anywhere that being a human in that landscape is its own contest. I can identify with that, coming from a place that is pretty comfortable for most of the time, but can be devastated in a heartbeat by the elements. We are also a British colony, and we have racial tension here too, so there is a lot that feels familiar to me, while at the same time being completely foreign. This book has that, but also political tension, family tension and a protagonist not sure of his own path either. He has a really beautiful flow to his writing, and makes astute observations about character, which must be difficult to do when the people are real.

Hyperbole and a Half by Allie Brosh is a novelisation of a very successful blog. I’m interested in how blogs and social media are changing writing and publishing, since it’s my business! There is a lot of debate about whether online publishing, which is essentially free for the reader, will kill mainstream publishing. My opinion is that good story tellers will find an audience irrespective of the form, and frankly the majority of writers basically write for free anyway. I wish it were not so, but that’s the reality. We need to adapt. I started reading this book on the plane and openly guffawed like a mad woman, irritating all the passengers who were attempting to sleep. Brosh talks about mental illness in a way I found refreshing and insightful.

In the Dust of this Planet: Horror of Philosophy Volume 1 by Eugene Thacker. I heard a story about this book on Radio Lab. It’s a book about nihilism, and then, ironically, all these strange coincidences and connections started to happen around it. That question - do events happen for a reason, or is it all just arbitrary and purposeless – plagues us to varying degrees. I think it’s the question that most art or academic pursuit attempts to answer. Philosophy and books are wonderful for that reason. We can read philosophers as far back as we have notated our thoughts, and as a species we have always pondered these ideas. It connects us through time. I love an existentialist hurdy gurdy.
Visit Alyssa Brugman's website.

My Book, The Movie: Alex as Well.

The Page 69 Test: Alex as Well.

--Marshal Zeringue

Sunday, January 25, 2015

Becky Masterman

Becky Masterman grew up in Fort Lauderdale, Florida and received her MA in creative writing from Florida Atlantic University. She lives in Tucson, Arizona, with her husband.

Her new novel is Fear the Darkness, the second book in the Brigid Quinn Series.

Recently I asked Masterman about what she was reading. Her reply:
For an introvert, the holidays are the best time of the year to have a head cold. You have a good excuse to opt out, drink hot tea, enjoy your ladder turned bookcase turned tree, and binge read a nice long book so you don’t even have to make decisions about what to read next. For me, it was Michel Faber’s The Book of Strange New Things. I’ve been a Faber fan since reading his The Crimson Petal and the White, and being his fan isn’t hard work since he only writes a novel every seven years.

This book was a special treat for me because I’m a mystery/thriller writer and therefore read a ton in my own genre. It’s bliss to step into other genres, and boy, did I ever step into it this time. Science fiction, apocalyptic, metaphysical. . .and a love story!

The extraordinary thing is, I can’t recommend it. I can’t say oh you’ll love it if you loved blah blah blah. Faber writes novels that can’t be compared to any other. Each novel can’t even be compared to anything he has written before. And I can’t say that much happens in the way of explosions or homicide in this story about a missionary who leaves his wife in England to travel a billion miles to bring The Gospel to an alien planet. Yet there I was, utterly gripped for five hundred pages, up to the last line not able to predict what would become of this man--of these aliens--for whom I cared desperately. Then I wept, and my nose got all stuffy. I’m not promising anything, mind you. You’re on your own.
Learn more about Fear the Darkness at Becky Masterman's website.

My Book, The Movie: Rage Against the Dying.

The Page 69 Test: Rage Against the Dying.

My Book, The Movie: Fear the Darkness.

The Page 69 Test: Fear the Darkness.

--Marshal Zeringue

Saturday, January 24, 2015

Peter Hancock

Peter Hancock is Provost Distinguished Research Professor, Pegasus Professor, and Trustee Chair in the Department of Psychology and the Institute for Simulation and Training at the University of Central Florida.

His new book is Hoax Springs Eternal: The Psychology of Cognitive Deception.

Recently I asked the author about what he was reading. His reply:
This is a great time for a blog on what writers read since the holiday break is when professors like me store up all the books they wanted to read during the semester but didn’t get time to. The first book I read served to put my academic cortex on park and just revel in the joy of reading fiction; I chose Anthony Horowitz’s Moriarty. I have enjoyed previous books by Horowitz and also like the Foyle’s War series on PBS and fie on the reader who doesn’t revel in Sherlock Holmes. But Horowitz extends the domain beyond the usual pastiche and indeed neither Holmes nor Watson feature in this novel. Let me say that I enjoyed the book which kept my attention, if not my rapt attention. We begin again at the pesky Reichenbach Falls where apparently nobody died and tumbling end over end into the chasm below puts an end to no one.

The introduced interlocutors are Athelney Jones from the Holmes stories and an American detective from the Pinkerton’s, one Frederick Chase in pursuit of his own arch-enemy. While the game’s afoot I shall refrain from giving it away. However, I have to say that given the title of the work the twist had me fooled for essentially zero pages which left the ensuing plot rather pallid; I hope other readers will be more surprised and thus enjoy it, perhaps as it deserves.

Fiction over, I proceeded to a book I had picked up in England on the corpse of St. Cuthbert (David Willem: St Cuthbert's Corpse: A Life After Death), actually from Durham Cathedral which houses his remains to this day. Willem’s short but concise account records the wonder at the purported incorruptibility of the corpse of the Saint and the faith, wonder, and posthumous fame that is generated. That such faith alone could create the miracle of Durham Cathedral seduces even the unwilling with the transcendental temptation. Perhaps even sadly, I am not so tempted. Cuthbert’s coffin has been opened on a number of occasions for religious and political purposes and what Willem demonstrates is an expected degradation of such a corporeal body, albeit a well-revered one. The sad (and perhaps even illegal) desecration of the early 1800’s left the remains in tatters, as shown by the re-evaluation at the very end of the nineteenth century. Today, there is no incorruptible body to sway either believer or non-believer and Willem’s book confirms the old adage that for those who believe no proof is necessary and for those who disbelieve no proof is possible. Human life, even extraordinary ones such as that of St. Cuthbert’s must lie somewhere between these stark towers of dogmatic certainty.

Finally, I am now into The Shakespeare Conspiracy by Graham Phillips and Martin Keatman. It is one of an industry of books which derive from the sadly impoverished information that we possess about the most famous playwright in the English language and arguably ever in world history. Even a cursory look at the question shows just how little we actually know about Shakespeare when, presumably, we ought to know a lot more. Into this vacuum of fact steps any number of speculators willing to spin gossamer webs of hypotheses, mysteries, and conspiracies (as well as whole TV series replete with evocative landscapes to gloss over the dearth of fact). The list of these Shakespeare-identity inspired narratives is almost endless (Including the relative recent movie Anonymous). The Phillips and Keatman book is (to a degree) typical of the genre. (If you want something more substantive I recommend Shakespeare’s Wife by Germaine Greer). Never letting the absence of fact delay or derail a good story one loves the rollicking irresponsibility of unbound speculation. I read such things not simply for content but as exercises in mental discipline to distinguish the line between the probable and the possible; between the potential and the provable. It is a threshold that changes with the times and even the blog form of communication!
Learn more about Hoax Springs Eternal at the Cambridge University Press website.

The Page 99 Test: Hoax Springs Eternal.

--Marshal Zeringue

Friday, January 23, 2015

Colleen Oakley

Colleen Oakley is an Atlanta-based writer. Her articles, essays, and interviews have been featured in the New York Times, Ladies’ Home Journal, Marie Claire, Women’s Health, Redbook, Parade, and Martha Stewart Weddings. Before she was a freelance writer, Colleen was editor-in-chief of Women’s Health & Fitness and senior editor at Marie Claire.

Before I Go is her debut novel.

Recently I asked Oakley about what she was reading. Her reply:
I just finished Big Little Lies by Liane Moriarty. I loved The Husband’s Secret, but I think I liked this one even more. Moriarty has a real gift for her wry observation of human nature in current society. As a parent, I completely related, cringing and laughing in turns, at the various parents I recognized from my own social circle. But the best part about her writing is that she never slips into stereotypes— each character is fully realized as a three-dimensional person that you can empathize with — they’re never just heroes or villains. Oh, and her plotting! Genius. Always keeps you guessing and flying through the pages. Can’t wait for her next one.

I just started The Good Girl by Mary Kubica. It’s everything I look for in a good mystery so far— engrossing, puzzling, intriguing. In fact, I’m looking for snippets of time throughout my day (kids, don’t you want to watch Sesame Street?) to sneak in some reading. When a book turns you into a bad parent — that’s when you know it’s got you hooked.
Visit Colleen Oakley's website, Facebook page, and Twitter perch.

The Page 69 Test: Before I Go.

--Marshal Zeringue

Thursday, January 22, 2015

Peter Toohey

Peter Toohey, the author of Boredom: A Lively History and Melancholy, Love and Time, is professor of classics in the Department of Classics and Religion at the University of Calgary with a special interest in the nature and history of the emotions.

His latest book is Jealousy.

Recently I asked the author about what he was reading. Toohey's reply:
I’m rereading Ingmar Bergman’s The Magic Lantern. I try to read his autobiography every year. Sometimes it’s more than once. This helps make sense of his films. But that’s not the main reason I keep on reading the book. The Magic Lantern is such an uncompromisingly honest and inspiring vision of a great creative mind. Bergman is very hard on himself (he calls his The Serpents Egg “an embarrassing failure”). But he never gave up (“I do not regret for a moment making The Serpent’s Egg; it was a healthy learning experience”; he was 59 when the film came out and he was still learning). All of the themes from his movies are there in the vivid fragments of his autobiography: the indifference of the artist to their family and friends (Ingrid Bergman in Autumn Sonata or the knight at the beginning of The Seventh Seal), the love of childhood (Fanny and Alexander) and families (Wild Strawberries), marriage, its difficulties, its solace (Smiles of a Summer Night or much later in the mesmeric TV of Scenes from a Marriage), and of course the silence of God (the best is Through a Glass Darkly: the schizophrenic Bibi Anderssen sees God – a spider crawling through a crack in the wall paper). But there are also the wrenching portraits of women. Do you recall Ingrid Thulin’s six-minute soliloquy to the camera on her love of the indifferent pastor, Tomas, in Winter Light? Bergman’s mother and grandmother, everywhere in The Magic Lantern, seem to be behind these performances. Was Ingrid Thulin playing his mother in this scene from Winter Light? Was Tomas his father? The biography is not sequential. It highlights, in an order important for Bergman, key moments and events in his life. This is the logic of the narrative in the 1972 film Cries and Whispers. For most of my unsequential life whenever anything unexpectedly fortunate has happened to me, someone has been quick to say: “why you of all people”? I don’t believe this happened much to Ingmar Bergman. He wasn’t like us, though he tried hard to be. Who’d have dared to ask him that question but a tax agent? He said in his autobiography that he felt that he had a volcano inside himself. To keep it in check he had to be, in his life and behaviour, as orderly as possible. He doesn’t really seem to have succeeded well in many areas of his life, especially when it involved money and love and his family. But he did with cinema and with its prism-like revocation of his childhood. He was 85 when his last film, Saraband, appeared. “Why you of all people?” Read The Magic Lantern, inhale a little of its nourishing brimstone, and you can answer why for Ingmar Bergman. Then think of Märta’s soliloquy in Winter Light and you will gain the confidence to answer – “why not me?”
Learn more about Jealousy at the Yale University Press website.

The Page 99 Test: Boredom: A Lively History.

--Marshal Zeringue

Wednesday, January 21, 2015

Jennifer Robson

Jennifer Robson is the international bestselling author of Somewhere in France.

She holds a doctorate in British economic and social history from Saint Antony’s College, University of Oxford, where she was a Commonwealth Scholar and an SSHRC Doctoral Fellow.

Robson's new novel is After the War is Over.

Recently I asked the author about what she was reading. Her reply:
I tend to have a number of books on the go at the same time, a mix of things I’m reading for research, for pleasure and for general brain-stretching purposes. At the moment I have four books on my nightstand.

I’m actually re-reading Living Well is the Best Revenge by Calvin Tomkins, an extended, novella-length version of a New Yorker profile of Sara and Gerald Murphy that was first published in 1962. Tomkins was friends with the Murphys, who had been at the center of literary and artistic life in France in the early 1920s, and his portrayal of them is so fascinating and appealing that I’ve added them to my work-in-progress as secondary characters.

I just finished Memoirs of Montparnasse by John Glassco, although I bought it months and months ago. Glassco, a Canadian poet who landed in Paris in the late 1920s, had an almost Zelig-like ability to be at the center of things. At times, reading his memoir, it seems as if he went absolutely everywhere and met everyone worth knowing. I have to admit I’m a little envious!

I’ve had A History of Food in 100 Recipes by William Sitwell sitting on my nightstand for more than a year; I save it for those evenings when I’m too tired to read anything lengthy but still want a few minutes of quiet time before I turn off the light. Its format is perfect for short forays: one hundred shorts essays on foods or dishes that have shaped our world and its history. I’m getting close to the end, though – up next is a World War II-era recipe for Elderberry and Apple Jam.

Last of all is Hazel Gaynor’s forthcoming novel, A Memory of Violets, which she was kind enough to send to me a few months before it lands in bookstores. I am loving it. Hazel has a remarkably perceptive eye for historical detail; as with her previous book, The Girl Who Came Home, this novel is amazingly immersive. I am counting the hours until my kids are asleep tonight and I can steal an hour of “me” time to get back to it!
Visit Jennifer Robson's website.

Coffee with a Canine: Jennifer Robson & Ellie.

My Book, The Movie: After the War Is Over.

The Page 69 Test: After the War Is Over.

--Marshal Zeringue

Tuesday, January 20, 2015

Brian Staveley

Brian Staveley is the author of The Emperor’s Blades, first book of the epic fantasy trilogy, Chronicle of the Unhewn Throne.

Staveley has taught literature, religion, history, and philosophy, all subjects that influence his novels, and holds an MA in Creative Writing from Boston University. He works as an editor for Antilever Press, and has published poetry and essays, both in print and on-line. He lives in Vermont with his wife and young son, and divides his time between running trails, splitting wood, writing, and baby-wrangling.

His new novel is The Providence of Fire, volume 2 in the Chronicle of the Unhewn Throne trilogy.

Recently I asked the author about what he was reading. Staveley's reply:
I just devoured Leviathan Wakes, the first novel in the Expanse series by James S. A. Corey. Part political thriller, part hard-boiled detective story, part old-school shoot-em-up space battle, the book has a little of everything, including an alien menace of unknown ability and intention. Endings are tough to do well but this book nailed the landing; I thought I saw where it was headed, and I was wrong. I’ll definitely be churning through the sequels.

I’m also rereading Helen DeWitt’s The Last Samurai. The book bears no relation to the dismal Tom Cruise movie. This story is about a single mother in London trying to raise a super-genius young child, and about that child’s search for a father. If it’s not obvious from that description, the book isn’t SF or fantasy, but “literary fiction” (whatever the hell that is). By turns hysterically funny, heart-wrenching, and utterly surprising, this has to be one of my top ten novels. I’ve read it four or five times, and taught it to high school kids, who loved it. Looking back at my one-sentence synopsis, it sounds sorta dull. It is not. It’s wonderful. Everyone should read it. Twice.
Visit Brian Staveley's website.

The Page 69 Test: The Providence of Fire.

--Marshal Zeringue

Monday, January 19, 2015

Andrea Jain

Andrea R. Jain is Assistant Professor of Religious Studies at Indiana University-Purdue University Indianapolis.

Her new book is Selling Yoga: From Counterculture to Pop Culture.

Late last year I asked the author about what she was reading. Jain's reply:
Michelle Alexander's The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2010)

Today there are over two million incarcerated people in the United States. Michelle Alexander’s The New Jim Crow: Mass Incarceration in the Age of Colorblindness provides a responsible and necessary assessment of the intersections of the American criminal justice system and racial caste, concluding that the justice system targets black men. She also shows that the criminal justice system in combination with social stigma serve to relegate incarcerated people to the status of second-class citizens and confine them, not only in the prison industrial complex, but also in a marginalized subculture where they are denied access to mainstream society and its economy. Alexander convincingly argues that, despite claims that the justice system is “colorblind,” it actually functions as a system of racial control and oppression.

I am reading The New Jim Crow because my research interests include the use of yoga among incarcerated and formerly incarcerated populations as a rehabilitative method and as an initiative to empower this socially- and economically-marginalized and disenfranchised subculture. My project builds on my previous research, which evaluated how postural yoga became a part of popular culture and brand-name yoga commodities became easily accessible among privileged populations in many urban locations around the world, where yoga is almost de rigueur in practice (see Andrea R. Jain, Selling Yoga: From Counterculture to Pop Culture, Oxford University Press 2014). For many yoga proponents, the claim to possess knowledge of yoga is closely related to their quest for power, status, or money. However, my research showed that there is much more to the yoga industry than who profits. I found that the meaning of yoga is conveyed not only through what products and services consumers choose to purchase, but also through what they choose not to purchase. Many people, in fact, bi-pass the commodification of yoga by attending non-profit yoga studios or rejecting certain yoga products. My research also resulted in a vision of yoga in both profitable and non-profit contexts among privileged populations as a body of practice that is often profoundly religious.

Alexander’s The New Jim Crow has been a key source on both the system that perpetuates racial caste in the United States and the consequent disenfranchised subculture, composed largely of black men, so that I can evaluate the use of yoga among certain members of that subculture and understand how yoga might undermine the criminal justice system when it serves as a source of empowerment and healing for those the system oppresses.
Learn more about Selling Yoga at the Oxford University Press website.

The Page 99 Test: Selling Yoga.

--Marshal Zeringue