Wednesday, December 24, 2025

D.W. Buffa

The Dark Backward is among D.W. Buffa's more recent novels to be released. The story revolves around not just the strangest case William Darnell had ever tried;
it was the strangest case ever tried by any lawyer anywhere. It was impossible to explain; or rather, impossible to believe. The defendant, who did not speak English or any other language anyone could identify, had been found on an island no one knew existed, and charged with murder, rape and incest. He was given the name Adam, and Adam, as Darnell comes to learn, is more intelligent, quicker to learn, than anyone he has ever met. Adam, he learns to his astonishment, is a member of an ancient civilization that has remained undiscovered for more than three thousand years.
Buffa is also the author of ten legal thrillers involving the defense attorney Joseph Antonelli. He has also published a series that attempts to trace the movement of western thought from ancient Athens, in Helen; the end of the Roman Empire, in Julian's Laughter; the Renaissance, in The Autobiography of Niccolo Machiavelli; and America in the twentieth century, in Neumann's Last Concert.

Here is Buffa's take on Allan Bloom’s The Closing of The American Mind:
In the late l940s, before television made those who watched at best passive observers, radio engaged the attention, and the imagination, of those who listened. One show did this in what even then was considered an unusual way, The Whiz Kids, in which several young teenagers answered, or tried to answer, serious questions about serious things. Their age told part of the story. Instead of high school freshmen, they were already in college, and not just any college, places like the University of Chicago. One of them could easily have been Allan Bloom, who would years later write The Closing of The American Mind, a critique of American higher education that was not expected to sell more than the initial print run of 10,000 copies, but ended up selling more than a million copies in the Untied States and another million in the rest of the world. It was a book that would never have been written had Bloom not begun his undergraduate career at the University of Chicago just after the end of the Second World War, in 1946, when he was only fifteen years old.

Bloom understood the moment he stepped on campus that the University of Chicago was different. The buildings might be fake Gothic, gray stones that had the look of wind worn battlements, but they “were a bow to the contemplative life by a nation addicted more than any other to the active life.” A great university, it announced that “there are questions that…are not asked in ordinary life.” These were the kind of questions Bloom wanted to explore. Fifteen when he began his undergraduate education, he was eighteen when he graduated and began graduate school in the Committee on Social Thought which, in a way, was almost a university within the university. The only students taken were those who wanted to devote themselves, in that now quaint-sounding phrase, to the “life of the mind.” Bloom studied Greek history and thought, wrote his dissertation on the Greek statesman and orator Isocrates, was eighteen when he started and almost twenty-five when he finished.

Whatever else Bloom learned as a student in his years at Chicago, nothing was as important, or as influential, as what he learned from Leo Strauss. When Leo Strauss began talking about something Socrates had said in one of the dialogues Plato had written, it was as if you were listening to someone tell you what he had just heard in a conversation he had had with Socrates himself early that morning. Strauss knew what was worth reading and how that reading should be done. He explained it in a way that was really quite simple: The mind needs teachers, teachers are themselves pupils, but there cannot be an infinite regress, i.e. there must be teachers who are not pupils. These are the great minds, the greatest minds, and they are extremely rare. The only access to them are through the books they have written - the great books. It is what liberal education is all about.

One of the greatest minds - some would say the greatest mind - is Plato, who of course wrote in Greek. There are translations, but those who did the translations were not themselves very close students of what they were translating and were, many of them, satisfied with giving a kind of general account of what they thought Plato was trying to say. F. N. Cornford, whose translation was the most widely used, removed many of the exchanges between Socrates and other participants in the dialogues because he thought they were too formal and tended to become tedious. Bloom decided that a better translation was needed. In l968, his literal translation of Plato’s Republic was published and for the first time Plato could be understood by English speaking students as Plato understood himself. That did not mean students had to like it.

This is the thrust of Bloom’s The Closing of The American Mind. The proof, which at first does not appear to prove anything, is that “Classical music is dead among the young.” If this seems irrelevant to the question whether the American mind is open, as most would like to believe, or closed, as Bloom insists, his dismissal of the music those same young people came to embrace, will strike many as the closed-minded sentiment of a hopeless reactionary. Rock music, he writes, is nothing so much as a barbaric appeal to sexual desire. If few think this is in any way a problem, it is because, as Bloom puts it, “It may well be that a society’s greatest madness seems normal to itself.” But why, exactly, does it matter what kind of music appeals to the sensibility of one generation or another? What difference if the preference is for Mick Jagger instead of Mozart or Beethoven. Bloom has an answer. “To Plato and Nietzsche, the history of music is a series of attempt to give form and beauty to the dark, chaotic, premonitory forces in the soul - to make them serve a higher purpose, an ideal, to give man’s duties a fulness.

Music, it should be noted, meant more than singing or the playing of instruments; it included language, poetry and prose that produced a rhythm and a harmony in the souls of those who listened. The education Socrates discussed in The Republic consists of two parts - gymnastic for the training of the body; music for the training of the soul. The most important passages about the best regime in Aristotle’s Politics concern musical education; his Poetics is an appendix to the Politics. All this changed with the Enlightenment. Music became unnecessary. Rationalism, that is to say, the method of “the new science of nature that masters and conquers nature, providing prosperity and health,” provided “other ways to deal with the irrational part of the soul.” The desire for what came to be called “comfortable self-preservation,” was thought sufficient to keep everyone’s attention on what had to be done everyday to acquire the wealth that was needed. In Aristotle’s philosophy, “soul is at the center and what is highest in man is akin to what is highest in nature.” In the philosophy of Hobbes and Locke and the Enlightenment altogether, man is only a part, and not the microcosm, of nature, and nature itself has changed. It “has no rank order or hierarchy of being;” it is matter in motion which can be conquered for whatever use men want to make of it. This, however, eventually led to the belief that something was missing, that “life was meaningless.”

The “emptiness of modernity” led to Nietzsche and the last man, the man who is not unhappy, but “his happiness is nauseating.” Nietzsche’s attack on the Enlightenment is an attack on “rational equalitarianism,” the belief that everyone is equal in the most decisive respect, the ability to choose their own values, and that everyone’s values are as legitimate as those of everyone else. This, for Bloom, is the “most important and most astonishing phenomenon of our time, all the most astonishing in being almost unnoticed; there is now an entirely new language of good and evil….” The term ‘value,’ this “radical subjectivity of all belief about good and evil serves the easygoing quest for comfortable self-preservation.” This, for Nietzsche, was “an unparalleled catastrophe; it means the decomposition of culture and the loss of human aspiration.”

No one knows this. It is not part of the education we receive. Competing visions of what an educated human being is are no longer brought before us. We no longer have the kind of liberal education by which “the student’s whole life” is “radically changed,” so that “what he learns may affect his actions, his tastes, his choices, that no previous attachment be immune to examination and hence re-evaluation.” No one, or practically no one, reads the classic literature as they were once read - to find out if they are true. “Aristotle’s Ethics is not studied to learn what a good man is; it is read to find out what the Greeks thought about morality.” It is worse than that. “One need not have read a line of philosophy to be considered educated in this country.”

What is to be done? Somehow bring back the study of the Great Books, especially Plato’s Republic and Rousseau’s Emile, which Bloom translated from the French, the two greatest books ever written about education; two books that, according to most of those who write about education today “are the cornerstones of an outlived cannon,” a judgement that would have been dismissed as the height of ignorance when Emile first appeared on the scene and Kant called its publication “an event comparable to the French Revolution.” Emile was written to “defend man against a great threat which bodes well to cause a permanent debasement of the species, namely, an almost universal dominance of a certain low human type which Rousseau was the first to isolate and call the bourgeois: the man “whose primary concern is comfortable self-preservation,” someone who thinks only of himself when dealing with others, and only of others when he tries to understand himself. He is the rational and industrious man Locke insisted would make republican self-government possible, and the Founders had in mind when they created the American republic. The “rational and industrious,” however, are not the kind of men that are able to create the kind of poetry which depict “great human types who embody visions of the right way of life, who make that way of life possible, who produce admiration and emulation.” Rousseau sought to find a way to change this to turn attention to something more enabling than the endless pursuit of material advantage. He found it in sex.

One of the most important, if perhaps least noticed changes in American higher education is the way in which the relation between the sexes, and the way in which that relation is understood, has been transformed out of all recognition since the l960s. This happened, according to Bloom, in two successive waves: the sexual revolution, which marched under the banner of freedom, and feminism, which marched under the banner of equality. Bloom observed that sex had become in the minds of students, “no big deal.” Sexual passion “no longer includes the illusion of eternity.” This was precisely what Rousseau thought the result of the rationalism and equalitarianism of the Enlightenment: sexual differences would, like class and national distinctions, be destroyed. In Emile he tried to show sexual passion, the need that brings men and women together, could become the means by which to instill a genuine concern for the well-being of others, and how delayed satisfaction, the courtship by which friends become more than friends, could become the condition of idealism and love. Even more disconcerting to those who insist there are no essential differences between the sexes, Rousseau “argues that woman rules man by submitting to his will and knowing how to make his will what she needs to submit to.”

Emile teaches the importance of the family, that is to say, the way in which the private life of individuals leads to well-educated citizens. In The Republic, Socrates teaches the replacement of the family with the common ownership of property and women. Women and men are trained together to fight against those would attack, or in any other way destroy the city. To make sure they have no other loyalty, they have nothing of their own, no property, no husbands, no wives, and, though they produce children, never know who they are; they are taken at birth and raised in common. Everyone, everyone in this class of guardians, is educated the same way. Male or female, it makes no difference; everyone follows the direction of the wisest among them, that rare human being, the philosopher who loves nothing more than than wisdom and for that reason cares only for what is best for the city he has been chosen to rule. Like the education given to Emile, this is an impossibility, but an impossibility that helps clarifies the understanding of what is better and what is worse among the things that may be possible.

Emile and The Republic together provide a thorough investigation of all the known alternatives to one of the most fundamental questions of human society. This is what an education in the Great Books, and only such an education, can do. In the introduction to The Closing of The American Mind, Saul Bellow explained that he wrote the novel Herzog, the novel that brought him the Nobel Prize for Literature, “to show how little strength ‘higher education’ had to offer a troubled man. In the end he is aware that he had no education in the conduct of life….” Saul Bellow’s friend, Allan Bloom, with whom he walked every morning, tried to show how this could be changed.

It has been nearly forty years since the publication of The Closing of The American Mind and the American university has become even less than it was before a place where the liberal arts - the Great Books - are taken seriously. A college education, we are told constantly, provides the training necessary to compete in the world market and universities are measured and ranked by the salaries their graduates command. Bloom would not have been surprised. He understood that most students are content with what the present considers important and that only “a small number will spend their lives in an effort to be autonomous.” It is precisely for these few “that liberal education exists. They become the models for the use of the noblest human faculties and hence are benefactors to all of us, more for who they are than for what they do.” Without them, Bloom adds, “no society - no matter how rich or comfortable, no matter how technically adept or full of tender sentiments - can be called civilized.”

Now, forty years later, does anyone seriously believe that the American mind is more open to the liberal arts - the Great Books - than it was when Allan Bloom and Saul Bellow tried in their different ways to show how the American university had failed to provide the kind of education that teaches the only thing that really matters - how we, as human beings, should live?
Visit D.W. Buffa's website.

Buffa's previous third reading essays: The Great Gatsby; Brave New World; Lord Jim; Death in the Afternoon; Parade's End; The Idiot; The Decline and Fall of the Roman Empire; The Scarlet Letter; Justine; Patriotic GoreAnna Karenina; The Charterhouse of Parma; Emile; War and Peace; The Sorrows of Young Werther; Bread and Wine; “The Crisis of the Mind” and A Man Without Qualities; Eugene Onegin; The Collected Works of Thomas Babington Macaulay; The Europeans; The House of Mirth and The Writing of Fiction; Doctor Faustus; the reading list of John F. Kennedy; Jorge Luis Borges; History of the Peloponnesian War; Mansfield Park; To Each His Own; A Passage To India; Seven Pillars of Wisdom; The Letters of T.E. Lawrence; All The King’s Men; The Roman History of Ammianus Marcellinus; Naguib Mahfouz’s novels of ancient Egypt; Main Street; Theodore H. White's The Making of the President series, part I; Theodore H. White's The Making of the President series, part II; Thus Spoke Zarathustra; Fiction's Failure; Hermann Hesse's Demian; Frederick Douglass, Slavery, and The Fourth of July; Caesar’s Ghost; The American Constitution; A Tale of Two Cities; The Leopard; Madame Bovary; The Sheltering Sky; Tocqueville’s America and Ours; American Statesmen; Ancient and Modern Writers Reconsidered; Père Goriot; The Remarkable Edmund Burke; The Novels of W.H. Hudson; America Revised; The City And Man; "The Use And Abuse Of History"; I, Claudius.

--Marshal Zeringue

Sunday, December 21, 2025

Hien Nguyen

Hien Nguyen is a speculative fiction writer who hails from the Midwest. By day she is a social science researcher and by night she writes about Vietnamese ghosts, monsters, and mythology.

Nguyen is interested in the uplifting and haunting forms of human connection, and how SFF writing can lay those bare.

Twin Tides is her debut novel.

Recently I asked Nguyen about what she was reading. Her reply:
I am currently reading The Hunger We Pass Down by Jen Sookfong Lee. In it, we follow Alice Chow, a single mother struggling to juggle the delicate balance (or imbalance) of her life. A haunting intergenerational tale that is as heart wrenching as it is unnerving, it interrogates the legacies and violence the women in her family have inherited. I find myself drawn to horror by Asian women and other writers of color, in particular when the ghosts or monsters become manifestations of the violence inflicted on the colonized or feminine body. It seems to me horror has become a perfect genre to explore all the nuances of these types of inheritances—the incorporeal or horrific is a vessel that can take on as many forms as needed to tell a story that lives beyond the scope of a single generation.
Visit Hien Nguyen's website.

--Marshal Zeringue

Wednesday, December 17, 2025

Cara Black

Cara Black is the author of twenty-one books in the New York Times bestselling Aimée Leduc series as well as the WWII thrillers Three Hours in Paris and Night Flight to Paris. She has won the Médaille de la Ville de Paris and the Médaille d’Or du Rayonnement Culturel and received multiple nominations for the Anthony and Macavity Awards; her books have been translated into German, Norwegian, Japanese, French, Spanish, Italian, and Hebrew.

Black's new novel is Huguette.

Recently I asked the author about what she was reading. Her reply:
Right now I'm reading Generation (Volume 1) published in 1987 by Hervé Hamon and Patrick Rotman.

This is a non-fiction book in French (and I confess DeepL for translation is very helpful in reading this 600 page book!)

I found this book secondhand in Paris at the wonderful Gibert Joseph bookstore near Saint Michel.

My friend recommended to read this since I'm doing research on May 1968 and the Sorbonne student uprising for my next book. He was right - it's got everything - firsthand accounts of protestors, journalists, police actions. Descriptions of the demonstrations in the iconic locations of the Latin Quarter and the worker's unions arguments with Maoists, Trotskyites. This captures the spontaneity of people of all walks of life taking to the streets and voicing unrest and painting a picture of this time.

Fiction wise I'm reading Too Old For This by Samantha Downing.

I'm loving this unique take on a serial killer. Lottie, a serial killer, has retired. She's changed her identity and tucked herself away in a small town and is a grandmother. But when a podcaster tracks her down, and she might be exposed, she reluctantly returns to her old ways. But getting away with murder is hard enough when you're young and now in her 70's it's that much harder.
Visit Cara Black's website and follow her on Instagram and Threads.

The Page 69 Test: Murder at the Lanterne Rouge.

My Book, the Movie: Murder at the Lanterne Rouge.

The Page 69 Test: Murder below Montparnasse.

The Page 69 Test: Murder in Pigalle.

My Book, The Movie: Murder in Pigalle.

My Book, The Movie: Murder on the Champ de Mars.

The Page 69 Test: Three Hours in Paris.

The Page 69 Test: Night Flight to Paris.

Writers Read: Cara Black (March 2023).

Writers Read: Cara Black (March 2024).

The Page 69 Test: Murder at la Villette.

My Book, The Movie: Huguette.

The Page 69 Test: Huguette.

--Marshal Zeringue

Saturday, December 13, 2025

Paula Munier

Paula Munier is the USA TODAY bestselling author of the Mercy Carr mysteries. A Borrowing of Bones, the first in the series, was nominated for the Mary Higgins Clark Award and named the Dogwise Book of the Year. Blind Search also won a Dogwise Award. The Hiding Place and The Wedding Plot both appeared on several “Best Of” lists. Home at Night, the fifth book in the series, was inspired by her volunteer work as a Natural Resources Steward of New Hampshire.

Along with her love of nature, Munier credits the hero dogs of Mission K9 Rescue, her own rescue dogs, and a deep affection for New England as her series’ major influences.

A literary agent by day, she’s also written three popular books on writing: Plot Perfect, The Writer’s Guide to Beginnings, and Writing with Quiet Hands, as well as Happier Every Day and the memoir Fixing Freddie: The True Story of a Boy, a Mom, and a Very, Very Bad Beagle.

Munier's new Mercy Carr mystery is The Snow Lies Deep.

Recently I asked the author about what she was reading. Her reply:
This is my favorite time of year, so I was delighted to finally get to write a mystery set during the holidays. The Snow Lies Deep is my seventh Mercy Carr mystery (although you can read them in any order) and it was inspired by all the wonderful winter novels I’ve read and loved. Here are a few of my favorites:

The Snow Child by Eowyn Ivey

This lovely fairy tale of a novel is set in Alaska in 1920. A childless homesteading couple scrape out a living in a remote area cut off from the rest of the world in the winter. They celebrate the first snowfall by building a snow child together—a symbol of their longing for a child of their own. The rest is magic…or is it? No spoilers, you’ll just have to read it…. I am a sucker for novels set in the wilderness, especially ones so beautifully written, as this Pulitzer-Prize nominee was. I loved this book!

61 Hours by Lee Child

I love, love, love Jack Reacher, my go-to when I travel and/or when I need to be reminded how to write good action. I’ve read them all and I keep rereading them. This is number 14 in the series, and it finds Reacher stuck in the middle of nowhere in South Dakota during an epic snowstorm. Read this, and you will feel the cold, the ice, the isolation, and the threat from within and without this embattled town on the frozen prairie. And of course it’s Reacher to the rescue. As well is should be.

Light on Snow by Anita Shreve

Anita Shreve is a wonderful storyteller, and I’ve read all her novels, but this is my favorite. Twelve-year-old Nicky lives with her father at the edge of the forest in New Hampshire. Her mother has died, and her father has retreated into his grief. One cold December day they discover an abandoned baby in the woods, and rescue her. Their lives will never be the same again, and Nicky will learn more than she wanted to about the power of love, the hard work of redemption, and the all-too-human flaws called adults in charge of her world. A book that begs to be reread the moment you reach The End.

Merry by Susan Breen

Dickens meets Maeve Binchy with a Gift of the Magi twist in this charming story about a American woman named Merry who is determined to heal her far-flung fractured family on a once-in-a-lifetime Christmas vacation in London. She has to sell her cherished signed first edition of A Christmas Carol to finance the trip, but she’s convinced it’s worth with the sacrifice—but the ghost of Dickens disagrees, and haunts her every step. This is a feel-good Christmas novel heartwarming enough to move Scrooge himself. God bless us, every one….

In the Bleak Midwinter by Julia Spencer-Fleming

I love every book in Julia’s fabulous Clare Fergusson/Russ Van Alstyne mysteries, but this first award-winning volume in the series is my lodestar as a reader and a writer. With its irresistible premise—someone leaves a crying baby on the stairs of Clare’s church on a snowy night in December—and compelling character-driven action, December—it’s everything you want in a mystery. And when you read it, you know you’ve got nine more—and counting—books I the series to go. I’ve read this entire series more than once—and enjoy every book every time.

A Christmas Carol by Charles Dickens

The classic that made Dickens very rich, not to mention famous forever. I reread it every year, and then I watch the great film The Man Who Invented Christmas, which all is about how Dickens wrote the classic that made him very rich and famous forever. All you need is some popcorn and hot chocolate….
Visit Paula Munier's website.

Coffee with a Canine: Paula Munier & Bear.

My Book, The Movie: A Borrowing of Bones.

The Page 69 Test: A Borrowing of Bones.

Writers Read: Paula Munier (October 2019).

My Book, The Movie: Blind Search.

The Page 69 Test: Blind Search.

My Book, The Movie: The Hiding Place.

The Page 69 Test: The Hiding Place.

Q&A with Paula Munier.

My Book, The Movie: The Wedding Plot.

The Page 69 Test: The Wedding Plot.

Writers Read: Paula Munier (July 2022).

Writers Read: Paula Munier (October 2023).

My Book, The Movie: Home at Night.

The Page 69 Test: Home at Night.

My Book, The Movie: The Night Woods.

The Page 69 Test: The Night Woods.

Writers Read: Paula Munier (October 2024).

My Book, The Movie: The Snow Lies Deep.

The Page 69 Test: The Snow Lies Deep.

--Marshal Zeringue

Wednesday, December 10, 2025

Connie Berry

Connie Berry is the author of the Kate Hamilton mysteries, set in the UK and featuring an American antiques dealer with a gift for solving crimes. Like her protagonist, Connie was raised by antiques dealers who instilled in her a passion for history, fine art, and travel. During college she studied at the University of Freiburg in Germany and St. Clare's College, Oxford, where she fell under the spell of the British Isles. In 2019 Connie won the IPPY Gold Medal for Mystery and was a finalist for the Agatha Award's Best Debut. She's a member of Mystery Writers of America and is on the board of the Guppies and her local Sisters in Crime chapter. Besides reading and writing mysteries, Berry loves history, foreign travel, cute animals, and all things British. She resides in central Ohio and northern Wisconsin with her husband and their adorable dog, Emmie.

The new Kate Hamilton mystery is A Grave Deception.

Recently I asked Berry about what she was reading. Her reply:
Since I’ve finished the latest installments of all my current favorites—Richard Osman, Elly Griffiths, Anthony Horowitz, Sarah Pearse, Ruth Ware, Robert Galbraith—I decided to indulge myself by reading—or rereading—crime novels written during the Golden Age of Detective Fiction (the period between the two world wars). Guided by British crime writer and editor Martin Edwards, current president of the famous London Detection Club, I’ve enjoyed wonderful novels by E. C. R. Lorac (Fire in the Thatch, Death of an Author), Anthony Berkeley (Murder in the Basement), and a lesser-known author, Anthony Rolls (Family Matters). They were recommended by Edwards, who wrote introductions to them for their publication by the British Library Crime Classics. In my opinion, these novels hold up today as true puzzle pieces with plenty of clues, red herrings, and twists. They also provide a fascinating time-travel experience to life in rural England between the wars, which I love. The BLCC collection to date includes more than 130 titles, but I’ve stopped reading them for now so I don’t unconsciously begin imitating their style. I can do that.

Over the Christmas holidays, I’ll reread as I always do The Wind in the Willows and several of the P. G. Wodehouse short stories, along with watching the movie Holiday Inn.

At present I’m enjoying Vaseem Khan’s third book in the Malabar House series, The Lost Man of Bombay. Set in the 1920s, Persis Wadia, India’s first female detective, investigates the murders of three European men, whose corpses bear similar mutilations.
Visit Connie Berry's website.

The Page 69 Test: The Art of Betrayal.

My Book, The Movie: The Art of Betrayal.

Q&A with Connie Berry.

--Marshal Zeringue

Sunday, December 7, 2025

Elena Taylor

Elena Taylor is the author of the Sheriff Bet Rivers Mysteries, dark and atmospheric police procedurals set in a small, rural mountain town in Washington State. As Elena Hartwell, she writes the Eddie Shoes Mysteries, about a quirky mother/daughter crime fighting duo.

Taylor is also a developmental editor with Allegory Editing, where she works one-on-one with writers to shape and polish their manuscripts. She also writes the Wait, Wait, Don't Query (Yet!) series of books on the writer's craft.

Her favorite place to be is home at Paradise, near Spokane, Washington. She lives with her hubby, their equines, dogs, and cats. Taylor holds degrees from the University of San Diego, the University of Washington, and the University of Georgia.

Her new novel is The Haunting of Emily Grace.

Recently I asked Taylor about what she was reading. Her reply:
Currently I'm reading Jennifer K. Breedlove's debut novel, Murder Will Out, which launches on Feb 17, 2026. I do a lot of work with the International Thriller Writers' Debut Author program, and try to read as many debut books as I can. It also often gives me access to Advanced Reader Copies. I'm only a few chapters in, but I'm totally hooked. Jennifer has a wonderful, almost literary voice, and the mix of mystery and paranormal is perfect for the dark days of autumn.

Then I'm going to be listening to Following Jimmy Valentine, an audiobook musical by Jeff Flaster. I can't wait to start that one! It stars several big names in musical theater, and is a reimagination of the O. Henry short story, “A Retrieved Reformation,” blending singing, jazz music, and noir comedy. I'll be reviewing that on Feb 3 to celebrate its launch. I don't do a lot of audiobooks, but I couldn't say no to this one when I heard the description. I worked in theater for two decades before moving into writing novels. My theater career included a lot of musical theater, so this felt like too fascinating a project not to sign up for.

It will be a lot of fun to go back and forth between reading and listening, both wonderful ways to experience fine storytelling.
Visit Elena Taylor's website.

Q&A with Elena Taylor.

The Page 69 Test: A Cold, Cold World.

My Book, The Movie: A Cold, Cold World.

--Marshal Zeringue

Thursday, December 4, 2025

Cindy Jiban

Cindy Jiban lives in Minnesota, where she was awarded a 2023 emerging fiction writer fellowship through the Loft Literary Center. Jiban holds a Ph.D. in educational psychology; before writing novels, she was an educator and researcher who published frequently, particularly focusing on how students learn to read.

Like the main character in her debut novel The Probable Son, Jiban has taught in middle schools and is raising two sons. She was born and raised in the Seattle area but has now lived with her family in St. Paul for over twenty years.

Recently I asked the author about what she was reading. Jiban's reply:
I’m currently drawn to debut novels. The path to publishing is a roller coaster ride, one that’s hard to convey to people not buckled into that terrifying front car. Reading a debut right now feels like making a new friend.

A fast and weird and delightful debut I loved is My Sister, the Serial Killer, by Oyinkan Braithewaite. You know that feeling when your sister calls to say oops, I did it again – and he’s dead? Yeah, me neither. I tore through this tale in one sitting, completely bemused by the style of storytelling. Sparse and dryly funny, it’s a line drawing that gradually reveals its odd caption.

Right now I’m reading The Bright Years, a debut by Sarah Damoff. Forewarned, I keep tissues on hand for this multi-generational Texas saga of family secrets and addiction. What stands out so far: Damoff has an uncanny skill at focusing point of view on a simple detail, to great emotional effect. Just read the opening chapter, and you’ll see what I mean.

Up next for me is The Safekeep, Yael van der Wouden’s debut novel. Two women, initially strangers, find themselves sharing a house in the Dutch countryside in 1961, with the post- WWII vibe not quite over and done with. Does anyone else choose movies based on Rotten Tomatoes, searching out very-fresh tomato ratings from both the critics and the ticket-buying audiences? This book is like that: it has earned both prestigious literary awards and a wide fan base of regular old readers. I’m in.
Visit Cindy Jiban's website.

My Book, The Movie: The Probable Son.

Q&A with Cindy Jiban.

--Marshal Zeringue