Saturday, October 24, 2026

D.W. Buffa

D.W. Buffa was born in San Francisco and raised in the Bay Area. After graduation from Michigan State University, he studied under Leo Strauss, Joseph Cropsey and Hans J. Morgenthau at the University of Chicago where he earned both an M.A. and a Ph.D. in political science. He received his J.D. degree from Wayne State University in Detroit. Buffa was a criminal defense attorney for 10 years and his seven Joseph Antonelli novels strive to reflect, from his own experience, what a courtroom lawyer does, the way he (or she) thinks, and the way he feels about what he does.

In Buffa's new novel, Immunity, the President of the United States has ordered the murder of his political opponents—and the Constitution seems powerless to stop him.

Here is Buffa's take on David Hume’s History of England:
In a brief preface to the six volumes of his History of England From the Invasion of Julius Caesar To The Revolution of 1688, David Hume remarked, “It is difficult for a man to speak long of himself without vanity; therefore I will be short.” And then he adds, “It may be thought an instance of vanity that I pretend at all to write my life; but this narrative shall contain little more than the history of my writings; as, indeed all my life has been spent in literary pursuits and occupations.”

Born in 1711, Hume was only twenty-seven when he published his Treatise of Human Nature, which, he reports, “fell deadborn from the press, without reaching such distinction as even to excite a murmur among the zealots,” by which he means the religious zealots who despised any thought not found in the Bible. Hume’s Treatise did excite, some years later, one reader, Immanuel Kant, who “roused himself from his dogmatic slumbers” to write in reply the Critique of Pure Reason. Hume wrote three more books over the next fourteen years, books that would, each of them, become a permanent part of the small number of works still worth the time and effort of serious study. Then, in 1752, he “formed the plan of writing the History of England.” The first volume, published two years later, sold, according to a bookseller, a “Mr. Miller,” sold only 45 copies.

Hume’s account, which suggests the initial failure of a work that only later generations will come to appreciate, is far too modest. The first volume actually sold 450 copies, not 45, and sold them in the first five weeks. Moreover, according to a literary historian writing in the early years of the twentieth century, the sale of the History eventually became sufficient to gain for the author a larger revenue than had ever before been known in his country to flow from literature, and to place him in comparative affluence.” The History, not only more successful than we were led to expect, was not written in the chronological order in which we now read it. The first volume Hume wrote begins with King James the First; the second continued the narrative to the end of the reign of James II and the Revolution of 1688. He then worked backwards, with a survey of the Tudor period that proved, or attempted to prove, that the Tory nation was firmly based upon the constitution. Published in 1759, it was followed, two years later, by the history that began with Caesar’s invasion; it was, like the others, “a great literary success.” It was, according to this same writer, “the first attempt at a comprehensive treatment of historic facts, the first to introduce the several literary aspects of the nation’s life as only second in importance to its political fortunes, and the first historical writing in an animated yet refined and polished style.”

Thomas Macaulay did not like it. He dismissed Hume as an “accomplished advocate” who “gives prominence to all the circumstances which support his case,” and “slides lightly over those which are unfavorable to it.” Macaulay’s own History of England, written a century later, beings with the accession of King James the Second, almost the point at where Hume’s History ends. Read them both, and you will be forgiven if you think Macaulay’s criticism might more fairly be directed to himself. There is no historian, certainly not Macaulay, whose judgment was more balanced than David Hume. It was part of his character. When he died, in 1776, his close friend, Adam Smith, wrote: “His temper, indeed, seemed to be more happily balanced, if I may be allowed such an expression, than that of perhaps any other man I have ever known.” His “gaiety of temper…was in him certainly attended with the most severe application, the most extensive learning, the greatest depth of thought, and a capacity in every respect the most comprehensive. Upon the whole, I have always considered him…as approaching as nearly to the idea of a perfectly wise and virtuous man as perhaps the nature of human frailty will permit.”

In the third volume of the History, Hume takes up the history of Henry VIII, and the conflict between the civil and the religious authority. Hume understands, what everyone once understood, that there “must be an ecclesiastical order and an public establishment of religion in every civilized community.” The question was whether the established religion would be under the control and direction of the king or of the pope. Henry, who had written a book in Latin against the principles of Luther, was convinced that he knew better than anyone what should be done: “having entered the lists of those scholastic quarrels, he had received from his courtiers and theologians infinite applause for his performance. Elated by his imaginary success, and blinded by a natural arrogance and obstinacy of temper, he had entertained the most lofty opinions of his own erudition; and he received with impatience, mixed with contempt, any contradiction to his sentiments.”

Henry separated his kingdom from the pope and the Catholic church; all his subjects were, “under the severest penalties, expressly bound to receive implicitly whatever doctrine he should please to recommend to them.” This did not stop the pope from continuing to insist that England had no such authority. When Elizabeth assumed the title of queen, she was reminded that, “England was a fief of the holy see,” and that she must “renounce all pretensions to the crown, and submit entirely to his will.” Elizabeth ignored him; just as she tried to ignore her sister Mary’s request for acknowledgment of her right to succession. The last thing Elizabeth would ever do, the one thing she was most concerned about, was the threat that would develop if anyone was thought to have a legitimate claim to be next in succession to the throne. It was the fear that led her to do things few, if any, had done before.

“What is most singular in the conduct and character of Elizabeth is that though she determined never to have any heir of her own body, she was not only very averse to fix any successor to the crown, but seems also to have resolved, as far as it lay in her power, that no one who had any pretensions to the succession should ever have any heir or successors.” Lady Catherine Gray married the Earl of Hertford and became pregnant. Elizabeth was so enraged that they had married without her consent, she threw both of them into the tower, and had a commission declare their “commerce” unlawful, and “their posterity illegitimate.” The story does not end there. Though kept prisoner, and kept separate, in the tower, the Earl and his wife bribed their keepers, “found means to have further intercourse; and another child appeared to be the fruit of their commerce.” Elizabeth imposed an enormous fine, and ordered their confinement to be “more rigid and severe.” Hertford “lay in this condition for nine years, till the death of his wife, by freeing Elizabeth from all fears, procured him his liberty.” It was unclear whether her fear was that “a pretender to the succession should acquire credit by having issue,” or envy of the “natural pleasures of love and posterity, of which her own ambition and desire of dominion made her renounce all prospect for herself.”

Because Henry VIII had separated England from the pope and the Catholic church, the Reformation was more gradual in England than elsewhere. Much “of the ancient religion was preserved; and a reasonable degree of subordination was retained in discipline, as well as some pomp, order, and ceremony in public worship.” Nothing was allowed to interfere with the power of the crown, until, because of the Reformation, a new group came into being insisting God spoke, not through the Catholic church or any civil authority, but directly to everyone. “So absolute, indeed was the authority of the crown, that the precious spark of liberty had been kindled and was preserved, by the puritans alone; and it was to this sect, whose principles appear so frivolous, and habits so ridiculous, that the English owe the whole freedom of their constitutions.” They employed all their “industry to be elected to Parliament, a matter not difficult, while a seat was rather regarded as burden than an advantage, they first acquired a majority in that assembly, and thus obtained an ascendant over the church and monarchy.”

Religion became the central political issue; everything, or almost everything, was seen in reference to the great conflict between Catholics and Protestants. Philip of Spain had as his sole ambition, “To support orthodoxy, and exterminate heresy; and as the power and credit of Elizabeth was the chief bulwark of the Protestants, he hoped, if he could subdue that princess to acquire the eternal renown of reuniting the whole Christian world in the catholic communion.” A Spanish fleet of 130 ships, that famous Spanish armada, most of them of a “greater size than any ever before used in Europe,” met an English fleet of 140 sail and was defeated by its own pretences: “Their bulk exposed them the more to the fire of the enemy; while their cannon, placed too high, shot over the heads of the English.” The Spanish fleet lost a considerable part of their navy; the English lost only a single ship. The tempest, the storm that in legend saved England, came up only after the battle had been won.

The power of the English crown over both religious and secular matters, was now absolute. The law made this quite clear: “Whoever, in any way, reconciled anyone to the church of Rome, or was himself reconciled, was declared to be guilty of treason. To utter slanderous or rebellious words against the Queen was punishable, for the first offense, with the pillory and loss of ears; the second was declared felony,” which meant death. The “writing or printing of such words was felony even on the first offense.” Justice, as Hume notes, was a “quality which, even when erroneous, is respectable as well as rare in a monarch.” All this might have gone unchanged had it not been for the Renaissance. By the beginning of the seventeenth century, it had spread beyond the small circle of “sedentary professions,” to “men of the world;” and “a familiar acquaintance with the precious remains of antiquity” produced “a passion for a limited constitution, and begun an emulation of those manly virtues, which the Greek and Roman authors…recommend to us.”

Parliament began to assert itself, and eventually to claim the sole right to the legislative authority; finally, under Cromwell, it “claimed the right of modeling the whole government and settling the nation.” And then, to prove its power, the Commons, assembled in Parliament, insisted that “being chosen by the people, and representing them, are the supreme authority of the nation, and that whatever is enacted and declared law by the Commons hath the force of law, without the consent of the King or the House of Peers.” Possessed with this power, Parliament passed the ordinance for the trial, and the execution, of Charles Stuart, king of England.

Hume’s History comes to an end after the restoration, when first Charles II, and then James II, rules, or tries to rule, England, during the brief period before the English civil war. Better than any historian since Thucydides, Hume brings to light the real causes of events, what really made things happen the way they did. Charles II, he explains, wanted to introduce the same rights of government and religion as Louis XIV had established in France; he wanted to make catholicism once again the religion of England: “What is most probable in human affairs is not always true; and a very minute circumstance, overlooked in our speculations serves often to explain events, which may seem the most surprising and unaccountable. Though the king possessed penetration and a sound judgment, his capacity was chiefly fitted for smaller matters, and the ordinary occurrences of life; nor had he application enough to carry his view to distant consequences, or to digest and adjust any plan of political operations. As he scarcely ever thought twice on any one subject, every appearance of advantage was apt to seduce him; and when he found his way obstructed by unlooked-for difficulties, he readily turned aside into the first path, where he expected more to gratify the natural indolence of his disposition.”

Throughout the six volumes of his History, Hume takes time to give an account of those who, in their different ways, made lasting contributions to literature and science. His observations on Shakespeare, which on first impression strikes us as ill-judged, on closer thought proves instead the inadequacies of our own education: “If Shakespeare be considered as a man, born in a rude age, and educated in the lowest manner, without any instruction, either from the world or from books he may be regarded as a prodigy; if represented as a poet, capable of furnishing a proper entertainment to a refined or intelligent audience, we must abate much of this eulogy.” Then he adds, “A striking peculiarity of sentiment, adapted to a single character, he frequently hits, as it were, by inspiration; but a reasonable propriety of thought he cannot for any time uphold.”

Hume has no hesitation in extolling the achievement of Issac Newton. “In Newton this island may boast of having produced the greatest and rarest genius that has ever rose for the ornament and instruction of the species.” While he “seemed to draw off the veil from some of the mysteries of nature, he showed at the same time the imperfection of the mechanical philosophy; and thereby restored her ultimate secrets to the obscurity in which they ever did, and ever will remain.”

It is, and will ever remain, one of nature’s ultimate secrets that somehow, every few generations, someone like David Hume is added to the small number of those able, and willing, to tell us something worth knowing about the world into which we are born and die.
Visit D.W. Buffa's website.

Buffa's previous third reading essays: The Great Gatsby; Brave New World; Lord Jim; Death in the Afternoon; Parade's End; The Idiot; The Decline and Fall of the Roman Empire; The Scarlet Letter; Justine; Patriotic Gore; Anna Karenina; The Charterhouse of Parma; Emile; War and Peace; The Sorrows of Young Werther; Bread and Wine; “The Crisis of the Mind” and A Man Without Qualities; Eugene Onegin; The Collected Works of Thomas Babington Macaulay; The Europeans; The House of Mirth and The Writing of Fiction; Doctor Faustus; the reading list of John F. Kennedy; Jorge Luis Borges; History of the Peloponnesian War; Mansfield Park; To Each His Own; A Passage To India; Seven Pillars of Wisdom; The Letters of T.E. Lawrence; All The King’s Men; The Roman History of Ammianus Marcellinus; Naguib Mahfouz’s novels of ancient Egypt; Main Street; Theodore H. White's The Making of the President series, part I; Theodore H. White's The Making of the President series, part II; Thus Spoke Zarathustra; Fiction's Failure; Hermann Hesse's Demian; Frederick Douglass, Slavery, and The Fourth of July; Caesar’s Ghost; The American Constitution; A Tale of Two Cities; The Leopard; Madame Bovary; The Sheltering Sky; Tocqueville’s America and Ours; American Statesmen; Ancient and Modern Writers Reconsidered; Père Goriot; The Remarkable Edmund Burke; The Novels of W.H. Hudson; America Revised; The City And Man; "The Use And Abuse Of History"; I, Claudius; The Closing of The American Mind; History of Rome; Before The Deluge; Herodotus's Histories; The Education of Henry Adams; Talleyrand; The Golden Bowl; The Life of George Washington; Tacitus and the dangers of history; The Lost History of the American Constitution.

--Marshal Zeringue

Monday, October 19, 2026

Laura Jensen Walker

Laura Jensen Walker is the award-winning author of several books, including The Alphabet Sleuths, the Lefty-nominated Death of a Flying Nightingale, and the Amazon bestselling, Agatha-nominated Murder Most Sweet.

Growing up in Racine, Wisconsin, a young Walker dreamed of seeing the world and becoming a writer. She enlisted in the US Air Force after high school and flew a typewriter across Europe as a clerk typist. While in the UK, she fell head over heels for all things English and became a confirmed tea-drinking Anglophile.

At age forty, cancer compelled Walker to finally publish her first book. Then, in her sixties, she discovered she was neurodivergent, spurring her to write a novel about a book-loving, neurodivergent senior with unusual quirks and sensory issues: The Pilgrimage of Primrose Honeychurch.

These days, Walker lives in Northern California with her Renaissance-man husband and two rescue terriers, sipping tea (Yorkshire Gold) and dreaming of visiting Hay-on-Wye one day.

Recently I asked Walker about what shwas reading. The author's reply:
I’m currently reading the second volume of The Unselected Journals of Emma M. Lion—a series of novellas set in London in 1883. Charming and witty with a great cast of characters, they’re a perfect tonic—and escape—from the daily insanity of our country today.

Emma, determined to take back possession of her rightful home from her awful Cousin Archibald, chronicles the ins and outs of her frustrating, albeit hilarious life with plenty of humor. Archibald relegates Emma to the garret—actually a portion of the garret since he’s walled off ten feet of the house, and rented it to a tenant. Emma, who dubs the man on the other side of the garret wall “the Tenant,” begins exchanging notes with him on scraps of paper slid through a crack between the boards.

The journals, written by Beth Brower, are a combination of Jane Austen, Oscar Wilde, and P.G. Wodehouse. An absolute delight.

I recently finished An Artful Dodge, by the brilliant Karen Odden. If you’re looking for impeccably researched historical fiction, mesmerizing characters you’ll fall in love with, and a compelling story you can’t put down, look no further. This was a fascinating dive into Victorian London and a ring of women thieves, Kit Jimeson is my favorite new heroine. Fingers crossed her journey continues.

My latest contemporary read was the fabulous Mad Mabel by Sally Hepworth, which I read in one day. Grumpy, eighty-one-year-old Elsie minds her own business in her quiet Melbourne suburb, until a neighbor turns up dead and whispers start flying. That’s when we learn Elsie hasn’t always been Elsie: she was Mad Mabel Waller—Australia’s youngest convicted murderer.

I fell in love with this cranky curmudgeon who’s kept her secret buried for decades. This twisty tale was full of heart, humor and depth. Just when I thought I’d figured it out, the story went in another direction, occasionally bringing me to tears. Elsie/Mabel is a unique and compelling character I won’t soon forget.
Visit Laura Jensen Walker's website.

My Book, The Movie: The Alphabet Sleuths.

Q&A with Laura Jensen Walker.

The Page 69 Test: The Alphabet Sleuths.

Writers Read: Laura Jensen Walker (February 2026).

My Book, The Movie: The Postmistress of Puddlington.

The Page 69 Test: The Postmistress of Puddlington.

My Book, The Movie: The Pilgrimage of Primrose Honeychurch.

--Marshal Zeringue

Saturday, October 17, 2026

Monona Wali

Monona Wali is an award-winning novelist, short story writer and filmmaker. Her debut novel, My Blue Skin Lover, won the 2015 Independent Book Publishers Gold Award for Multicultural Fiction. Many of her stories and essays have been published in literary journals including Air/Light, Folio Literary Journal, Juked, The Los Angeles Review of Books, and the Santa Monica Review. One received Special Mention in the 2025 Pushcart Prize Anthology.

Wali's new novel is Sutra Americana.

Recently I asked the author about what she was reading. Wali's reply:
As a writer, it’s a given I’m also an avid reader. I have a small black journal which contains a list of books I’ve read, starting from 2001. I am a deliberate reader, i.e. slow, and I hate to abandon a book I’ve started. My book lists show my reading selection to be all over the place – from contemporary American to world literature to classic and everything in between. The minute I set myself to read only South Asian women writers and immigrant writers (like this year), a comment about the greatness of Henry James leads me to listen to a recorded version of The Portrait of a Lady, which I loved. The truth is I have nothing against dead white men authors—I have learned so much from them— but I do feel passionately that women’s voices, black voices, native voices, immigrant voices, and those from around the world need a greater place on our bookshelves. As one of those voices, I feel a particularly strong bond with my fellow diasporic writers. That said, I accept that my reading habits will be gloriously arbitrary.

One book I recently finished reading is The Loneliness of Sonia and Sunny by Kiran Desai (2025) At 670 pages this novel is a major undertaking but thankfully is mostly a pleasure to read. Will Sonia and Sunny ever find each other, and then, will they ever find each other again after they stupidly part ways — this is the burning plotline of the novel. But the plot is hardly important – what is important is the web of their respective families and how they have a hold on their two children who, having left India to lead searingly lonely lives in America, seem unable to settle into any comfortable notions of identity. There are many passages in which Desai captures beautifully the dilemma of the immigrant: “He (Sunny) often couldn’t determine how he felt exactly about his new life, and it was how he happened to behave then that elucidated his emotions. But he was also unsure whether he was behaving from honest impulse or from playing a part, taking his cues from the people, the weather, the food, even the objects around him… One thing seemed certain: If India existed, then America could not, for they were too drastically different not to cancel each other out. Yet, despite this fact, they refused to remain apart. India invaded his life all the way from the other side of the world, and then life here became instantly artificial, a taunt. He became an imposter, a spy, a liar, and a ghost.” The book was shortlisted for the 2025 Booker Prize and was on many critics best 10 novels. I’m happy I read it — it made me think about the enduring tentacles of Indian families, the tug of India, the complexities of America and how we immigrants find a place for ourselves in this world.
Visit Monona Wali's website.

Q&A with Monona Wali.

The Page 69 Test: Sutra Americana.

--Marshal Zeringue

Thursday, October 15, 2026

Elizabeth Noel

Elizabeth Noel has called many places home, including the United Kingdom, the United Arab Emirates, Singapore, Australia, and New Zealand. She holds an MEd from the University of Exeter and an MLitt from the University of Saint Andrews and has taught at various universities in the UAE. Long-listed for both the Katherine Mansfield Sparkling Prose Competition and the Anthology Short Story Competition, Noel has published various short works. She lives in Sydney, Australia, with her husband and two daughters, on the land of the Gayemagal people within the Eora Nation.

As a child, Noel made regular visits to see her Austrian grandmother, or Omi, who encouraged her to chew on fennel seeds, sip herbal teas, and rub strange-smelling creams onto her skin. The city of Vienna, Melk Abbey, and the mountains and glass-topped lakes of Carinthia captured her heart. Her new novel, Beneath the Edelweiss, is the result of years of questioning what happened to her grandparents and great-grandparents, piecing together a narrative of Carinthia’s complex and tragic past.

Recently I asked the author about what she was reading. Noel's reply:
I am reading Gravity and Grace published posthumously by Simone Weil which I find both challenging and illuminating. I discovered the French philosopher, social activist and mystic while researching Beneath the Edelweiss and I could not look away from her.

I can relate to Weil’s discomfort with religious institutions and the pull she felt toward a Christian spirituality. Weil would be horrified by an age that fills every waking second with distraction via back pocket screens. Publishing a book has drawn me deeper into the pool of grace through the joy of creation and the act of self-emptying it requires, but it has also given me a better awareness of gravity. Weil talks about the dangers of “self-satisfaction over a good action (or a work of art) [which] is a degradation of higher energy.” In the quiet seconds between an approaching debut and the final acts of creation for a second novel, the outside digital world competes with inner plateaus. Simone Weil in Gravity and Grace helps me reconnect with spiritual landscapes, and the well deep within.
Visit Elizabeth Noel's website.

Q&A with Elizabeth Noel.

--Marshal Zeringue

Monday, October 12, 2026

Lee Horikoshi Roripaugh

Lee Horikoshi Roripaugh (she/they) is a biracial Nisei whose most recent book, unMothered, unTongued (2025), won the 2024 Sue William Silverman Prize for Creative Nonfiction in the AWP Award Series. They are also the author of a fiction collection, Reveal Codes (2023), winner of the Moon City Press Short Fiction Award; a chapbook, #stringofbeads (2023), winner of the Diode Chapbook Competition; and five volumes of poetry, most recently tsunami vs. the fukushima 50 (2019), named a “Best Book of 2019” by the New York Public Library and listed as a poetry finalist in the 2020 Lambda Literary Awards. Roripaugh received the Association of Asian American Studies Book Award in Poetry/Prose for 2004 and was a 1998 winner of The National Poetry Series. A professor emeritus of English at the University of South Dakota, they live in Atlanta, Georgia, and Laramie, Wyoming, and currently serve as a faculty mentor at the Carlow University and University of Nebraska low-residency MFA programs.

Roripaugh's new book, co-edited with Heidi Czerwiec, is The Rose Metal Press Field Guide to Writing the Lyric Essay: Insights and Prompts from Contemporary Writers and Teachers.

Recently I asked the writer about what she was reading. Roripaugh's reply:
I just finished reading Ruth Ozeki’s enchanting debut collection of short stories, The Typing Lady—a collection that is about, among other things, writers and readers, memory, and loss. In the closing lines of the eponymously titled opening story, “The Typing Lady,” Ozeki writes: “Stories are like that. They are collaborations between people who read and people who type. They are how we co-create each other and dream ourselves into being.” These are stories in which characters counter profound loss through intense curiosity and engagement—tracing the narrative threads of their lives backwards into past memories, as well as intrepidly turning the pages forward into surprisingly quirky, or unexpected moments. Ozeki seems to suggest that curiosity and attentiveness are how one remains present within the story of one’s life, and that books, reading, and writing, are a means by which to anchor, commemorate, and assign meaning to these stories. In the end, though, even what has been preserved in the materiality of books or printed matter are not perdurable in the face of time, as evidenced by images of silverfish eating language, and rendering typeface into an intricate lace. And yet, it’s the stories that are told, exchanged, co-created, and dreamed in the present, that seemingly give a calamitous world meaning. In the final story, the protagonist, a writer and retired English professor, says: “Books are like a rhizomatic network—a vast, subconscious fungal mat that spreads beneath human consciousness, knitting the world of thought together...” I read this book in the late summer, in my former childhood home in Laramie, Wyoming, full of my deceased parents’ hoarding, an anthropological site of memory and absence, and I was struck by the collaborative power of these stories: how they intertwined and tangled themselves within my own network of narrative threads, how they made me want to read further, how they made me want to pull the dust cover from my father’s Olivetti Studio 44 manual typewriter and type.
Visit Lee Horikoshi Roripaugh's website, and learn more about The Rose Metal Press Field Guide to Writing the Lyric Essay at the publisher's website.

--Marshal Zeringue

Friday, October 9, 2026

KC Jones

KC Jones is a screenwriter-turned-novelist currently living in western Washington. When not writing, he can be found watching movies, playing video and board games, or enjoying nature—whenever it isn’t raining.

He graduated from the University of Nevada-Las Vegas with a degree in film production. His first published novel, Black Tide, was a finalist for the Bram Stoker Award for Superior Achievement in a first novel.

Jones's new novel is House Haunters.

Recently I asked the author about what he was reading. His reply:
After finishing The Keeper by Tana French, which is scary enough in its depiction of how rumor mills can cause a small community to destroy itself long before the encroaching outside world even gets a chance, I decided to kick October off with a good old ghost story. Diavola, by Jennifer Thorne, is about a dysfunctional family reluctantly gathering for a getaway in a probably-haunted Italian villa. The contrast between the creeping dread within the walls of the increasingly sinister house and the beautiful Tuscan countryside is skin-crawlingly effective, but--at least so far--the tension between family members, the tooth-and-nail way they go at one another, is the real horror. The character dynamics are so well done and too real; I keep finding myself twisted up inside like this is my own family I’ve been forced into this unfortunate situation with. Despite being surrounded by people she ought to be able to lean on, the black-sheep narrator feels essentially alone as the horrors ramp up, which makes things all the more stressful. I’m only halfway through, but so far it’s shaping up to be one of my favorites of the year.
Visit KC Jones's website.

The Page 69 Test: White Line Fever.

Q&A with KC Jones.

--Marshal Zeringue

Wednesday, October 7, 2026

Elizabeth Crane

Elizabeth Crane is the author of several collections of short stories, including Turf, When the Messenger is Hot, All this Heavenly Glory, and You Must Be This Happy to Enter, a memoir, This Story Will Change, as well as two novels, We Only Know So Much and The History of Great Things.

Crane's latest story collection is That May Not Mean What You Think.

[Q&A with Elizabeth Crane]

Recently I asked the author about what she was reading. Crane's reply:
Currently reading and loving and almost finished with two books:

Nonfiction: Three Tenses by Ed Park.

In this book, every sentence in the book begins with the word 'in'. See what I did there? This is the kind of book I read and wish that I could ever think of such a simple but brilliant idea, and then actually execute it with the lovely, thoughtful, and often humorous prose with which Park sets it down.

Fiction: My Brilliant Friend by Elena Ferrante.

I know. I was very, very late to the Neapolitan series, but now that I'm here, I am all in. I'm not sure what I can really add to the conversation about the beauty and the complexity of the prose and the story except to say I get it now, and hope I can bring a fraction of that beauty if I'm ever able to write the friendship story I wish to write someday.

Two more I read recently that I also admired greatly:

Nonfiction: Things In Nature Merely Grow by Yiyun Li.

This book is the exploration of the profound loss of her son(s) to suicide. Her ability to write about how we continue exist after loss is nothing less than exquisite.

Fiction: Things We Never Say by Elizabeth Strout.

I have in recent years become a big fan of Strout, and love that her books continue to explore and develop recurring characters, or add new characters to this world, without ever feeling anything less than fresh. This book in particular felt slightly different in tone, perhaps with a wee bit more of an edge, but in a way that didn't stray from her tight, observant, recognizably concise prose, and I think it deserves all the attention it's getting right now.
Visit Elizabeth Crane's website.

Writers Read: Elizabeth Crane (April 2008).

The Page 69 Test: We Only Know So Much.

My Book, The Movie: We Only Know So Much.

Coffee with a Canine: Elizabeth Crane & Percy.

Q&A with Elizabeth Crane.

--Marshal Zeringue

Monday, October 5, 2026

Heidi Czerwiec

Essayist and poet Heidi Czerwiec is the author of Crafting the Lyric Essay: Strike a Chord (2024), and the lyric essay collection Fluid States (2019), selected by Dinty W. Moore as winner of Pleiades Press’ 2018 Robert C. Jones Prize for Short Prose, as well as several poetry collections, including Conjoining (2017) and Self-Portrait as Bettie Page (2013). She is also the editor of North Dakota Is Everywhere: An Anthology of Contemporary North Dakota Poets (2015), and a senior editor for Assay: A Journal of Nonfiction Studies. She lives and teaches in Minneapolis for the University of Minnesota, Normandale Community College, and the Minnesota Prison Writing Workshop.

Czerwiec's new book, co-edited with Lee Horikoshi Roripaugh, is The Rose Metal Press Field Guide to Writing the Lyric Essay: Insights and Prompts from Contemporary Writers and Teachers.

Recently I asked Czerwiec about what she was reading. Her reply:
I’m usually reading for several different purposes, so this grouping reflects that. Because I got in the habit of doing mini-reviews of books that I paired with perfume on Twitter, I’m going to continue that practice here.

I recently heard Aisha Sabatini Sloan read, and while I loved Dreaming of Ramadi in Detroit, I hadn’t read her newest, Borealis: An Essay, so I grabbed a copy. It’s a magical, funny, thoughtful book-length lyric essay about a Black, queer body moving through White spaces—in this case, the expansive glacial landscape of Alaska. I would pair this with Zoologist’s Snowy Owl, which smells cold: a woodsy base, but the icy notes of iris, mint, and green galbanum lend an austere beauty.

Because I’ll be teaching it this fall, I’m reading Trevor Noah’s Born a Crime. It’s ostensibly a memoir of growing up mixed-race in apartheid South Africa when his very existence demonstrated that racial purity is a lie, but his narrative becomes more a portrait of his Xhosa mother—a fierce force of love, faith, and rebellion who raises him during this violent era. Paired with Robert Piguet’s Bandit, whose name also suggests a crime, and whose scent wallops you with its sharp green and dry leather, all discipline up front and yet eventually softens to a floral the longer it stays with you. Also, the perfume was created by the most rebellious woman in the business.

For pleasure, I’ve just started my friend Maya Jewell Zeller’s Raised by Ferns, also a memoir of an unconventional upbringing, a feral childhood in precarity among the Pacific Northwest forests. I’m not far along, but I love the lush language and the scavenged collage of materials—housing policies, fire danger warnings, math word problems, poetic forms—all woven with lyric personal reflections. Paired with CB I Hate Perfume’s Black March, a scent that smells like wet ground awaking after winter, with notes of rain, green buds, sharp sap, and muddy earth.

And finally, for my own research and writing on mycelium, I’m…reading? perusing? marveling at?...a bizarre ‘zine called Mushroom People (there were only ever 2 volumes created) that’s a compendium of ephemera by writers, artists, scientists, folklorists, and fungi enthusiasts. I’ll pair this with Aftelier’s wonderfully weird Cepes & Tuberose, which foils a big white floral against an earthy fungal funk.
Learn more about the book at the publisher's website.

Visit Heidi Czerwiec's website.

--Marshal Zeringue

Friday, October 2, 2026

Humphrey Hawksley

Humphrey Hawksley has reported on key trends, events and conflicts from all over the world.

His work as a BBC foreign correspondent has taken him to crises on every continent.

Hawksley's new Rake Ozenna thriller is Operation Icebreaker.

Recently I asked the author about what he was reading. Hawksley's reply:
I have several on the go, all on my Kindle, and all in the swirl around my curiosity research on Arctic action.

The Wager and the Bear by John Ironmonger is a heart-warming tale about small communities and the wider world. This is one of the few novels with a setting in Qaanaaq, in far north Greenland, the Arctic area where my latest Operation Icebreaker is set. It’s a hard place to get to, and John wrote from talking to people and his own research, and his vivid descriptions are pretty much spot on.

Alongside, I’m deep into Cold Rush: The Astonishing True Story of the New Quest for the Polar North by Martin Breum, a gripping non-fiction account of the race for power in the Arctic, explaining exactly how Greenland, colonised by Denmark, fits in. I never knew that Denmark had lodged a sovereignty claim on the North Pole, and I am writing this on the day Donald Trump announced a new deal over Greenland that he had threatened to annexe!

I’m a big fan of Marc Cameron whose latest Back Track I’ve just finished with Alaskan Federal Marshall Arliss Cutter. No-one writes cold like Marc who previously did the Tom Clancy franchise. Action, cold and Alaska fit perfectly into forging the environment for my lead character, Rake Ozenna who comes from a remote Alaskan island on the Russian border.

I’ll shortly be diving into a historical Arctic non-fiction, Giles Milton’s Empire at the Edge of the World, an amazing story of Britain’s attempt to claim the remote and frozen Arctic Wrangel Island, now controlled by Russia. Giles has given us a harrowing story of greed, ambition and triumph in the harshest conditions and sits well with Breum’s modern day descriptions of Denmark trying to prove that it owns the North Pole.
Visit Humphrey Hawksley's website.

The Page 69 Test: The History Book.

My Book, The Movie: Security Breach.

My Book, The Movie: Man on Ice.

Writers Read: Humphrey Hawksley (May 2018).

The Page 69 Test: Man on Ice.

The Page 69 Test: Man on Fire.

--Marshal Zeringue

Wednesday, September 30, 2026

W. Jason Miller

W. Jason Miller is a Distinguished Professor and public scholar who acts as a cultural detective, unearthing the hidden connections that reshape American history. From discovering a lost recording of MLK’s first "I Have a Dream" speech to his latest revelation of the secret mentorship between Langston Hughes and Nina Simone, Miller bridges the gap between rigorous archival research and compelling public narrative.

His new book is Don't Let Me Be Misunderstood: Nina Simone, Langston Hughes, and the Birth of Black Power.

Recently I asked Miller about what he was reading. The author's reply:
I was delighted when author Lerone Martin extended my earlier connection between Harlem Renaissance poet Langston Hughes and Martin Luther King, Jr. to find— through his own resourcefulness— that King began reciting Hughes’s poetry as early as ten years old when he was a 5th grade student in Miss Lemon’s class in Atlanta. For any Tina Fey | 30 Rock fans, Miss Lemon’s first name was (unbelievably) ... Elizabeth!

Young King: The Making of Martin Luther King, Jr, portrays a wide-smiling King dancing the Charleston in front of his classmates while he recites a Hughes poem about Black dancers.

As someone fascinated with birds— especially those I’ve seen all across Argentina, Chile, Peru, and Europe— The Story of Birds: A New History from Their Dinosaur Origins to the Present traces our feathered friends through fossils, feather analysis, and even time-lapse images taken through the eggshell before they even hatch.

Having spent three of the last five summers hiking in New Mexico, I picked up a copy of The Jemez Mountains: A Cultural and Natural History while buying supplies at a local roadside stop. I was traveling down Highway 4, on my way to the historic Gisewatowa Pueblo. Like the land itself, the book covers ecology, sustainable forestry, ecology, geography, myth, and history. Next time you find yourself in Sante Fe or Taos, head west to Jemez Springs (after climbing up to 13,167 ft. of Wheeler Peak of course!) and hike Valles Caldera or Cerro Grande. The information in this book ensures you won’t forget it!
Visit W. Jason Miller's website.

The Page 99 Test: Don't Let Me Be Misunderstood.

My Book, The Movie: Don't Let Me Be Misunderstood.

--Marshal Zeringue