A family law attorney and mediator by trade, but a writer by calling, she lives on Long Island with her husband, two sons, and a suspiciously-fictional-looking small dog she swore she’d never own. When she’s not writing, she can be found in a pool, or better yet, in the open waters of the Long Island Sound where she swims upwards of two miles most days.
Recently I asked Polisner about what she was reading. Her reply:
Because I write YA, I am often reading YA (though my novels are now categorized as YA/crossover into adult), and right now that is no exception. Because I am a slow reader, and have too much I must, for various reasons, read, or simply want to read, I am often reading several books at one time. Now is no exception.Visit Gae Polisner's website.
So, here you go! Given that my March release In Sight of Stars has a much to do with Vincent Van Gogh, I am in the middle of Deborah Heiligman’s Printz-honored tome, Vincent and Theo: The Van Gogh Brothers. While the prose feels a bit simplistic for me at times, it is impressively chock full of fascinating facts and information, all gleaned from Van Gogh’s Letters to Theo and other such meticulous research. Additionally, I have just started my writer pal Amy Fellner Dominy’s April release, The Fall of Grace, about a girl whose family seems to be at the center of a Bernie Madoff type scandal, and was gripped from the first pages. I’ve long been a fan of Amy’s writing, and, per usual, she is an absolute pro at setting up a story in a few brief lines, thereby grabbing you from the get-go.
Last but not least, out of belated curiosity the other night, I decided to take ‘just a quick glimpse’ at my writer friend Tania Unsworth’s middle grade thriller, Brightwood, soon out in paperback. Now, more than 70 pages in and some lost sleep, I can’t put it down, and can’t wait to return to it. In the vein of Neil Gaiman or Jonathan Auixier stories, Brightwood is already a dark delight, and Tania incredible at creating both atmosphere and compelling, almost tongue-in-cheek story and characters. There are damaged people with damaged history, and a child who has suffered, who makes all around her come "alive. . . " If you have a reluctant reader, this is the type of story that will absolutely grip them and keep them turning pages long after you call lights out.
The Page 69 Test: The Summer of Letting Go.
The Page 69 Test: The Memory of Things.
--Marshal Zeringue